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An ATX Sketch Fest pass may be the best bargain for a guaranteed good time over Memorial Day weekend. Celebrating its 15th year, ATX Sketch Fest provides audiences with five days of scripted comedy acts from Austin, Portland, L.A., NYC, D.C., and Toronto. Headliners include Chris Grace of Superstore, PEN15, and Broad City, and Joan & Raft, who’ve written for Netflix, HBO Max, and Comedy Central. In addition to performing, Grace, Joan & Raft, and Woody Fu will lead workshops on musical improv, writing, and character development. Local favorites performing include Clara Blackstone, Juicebox, Big Fart, and The Floor Is Lava. Single-show tickets are available, but for this much talent, why not spring for the $69 (heh heh) pass? Check – or sketch – it out at atxsketchfest.com. – Valerie Lopez

Everybody’s grateful to be on the other side of the WGA and SAG strikes, but that doesn’t mean there isn’t a lot still to chew over – summed up perfectly in the title of one upcoming ATX TV Festival panel, “How the Strikes Affected … Everything.” At this long-running homegrown fest, TV fans and industry folk alike will find plenty of illuminating conversations about the state of television today, plus starry retrospectives (Suits, Halt & Catch Fire), new and returning show spotlights (Interview With the Vampire, The Big Cigar, Orphan Black: Echoes), and a special tribute to the late, great Norman Lear featuring script readings from Maude and Good Times. – Kimberley Jones

The impeccably named MuthaGoose is the collective brainchild of artists Jill Garcia and Kim Phu. They are two of the baddest muthas around, debuting their collaborative creativity with the sly, wry, “Luster Woo” exhibit at the Butridge Gallery in the Dougherty Arts Center. Both are well-versed in playing around with mediums, crafting sculptures and paintings created from all manner of found or upcycled items. For “Luster Woo,” MuthaGoose present their nostalgic-but-modern takes on women’s issues. On Wednesday, Jill Garcia will be present for the artist reception, answering questions about the duo’s process. Check out these indelible visuals highlighting how the more things change, the more things stay the same. – Cat McCarrey

Vessel: a container that holds things. Vessel: a person infused with a quality. What quality? Any. Feel free to interpret it yourself when basking in Diane Chiyon Hong’s exhibit “Vessels – Handle with Care.” Her architectural sketches, part function, part form, part object, part person, part humor but all thought-provoking, currently grace the halls of the Asian American Resource Center. It’s Asian American Native Hawaiian and Pacific Islander Month, so why not pay the AARC a visit. I mean, if not now, when? – Cat McCarrey

The annual celebration of the art of the ecdysiast – that’s stripping to you and me – gets the crowd warmed up with an opening show at Kick Butt Coffee before two nights of dropped, tossed, and discarded apparel at the Long Center. Proving its commitment to the history of the hurly-burly, the festival spotlights two true legends of the art of the tease: the Godfather of Neo-Boylesque, TIGGER!, and the inimitable Lovey Goldmine, an icon who worked with Scatman Crothers and Merv Griffin, on stages from Paris’ Crazy Horse Saloon to Las Vegas’ Cabaret Burlesque Palace. – Richard Whittaker

This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

Theatre by any other name would be as sweet, but … there’s just something about the name “Shakespeare” that screams all the world’s a stage and we’re just living in it. And nothing screams Shakespeare more than Romeo and Juliet. Submerge yourself in a true Shakespearean experience with his famous star-crossed lovers. Tickets are free, but make sure to snap up a reservation before you head out. Feel the romance, the tension, the sorrow, in person. Besides, the Curtain Theatre’s outdoor setting is the perfect place to bask in the bard. Shakespeare and starlight?: A winning combo. – Cat McCarrey

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Tusa, Sicily, in addition to being a beautiful seaside Italian village, was also birthplace to artist Jeffrey Dell’s newest monotypes. He created the works during an artist’s residency, utilizing traditional printmaking materials to capture the vertical nature of his surroundings. In his artist’s statement, Dell explains his goal with the monotypes as interrogating what happens between seeing and understanding images. “The mind wants and expects to see certain things and is capable of leaping ahead,” Dell writes. “Mostly those leaps are amazingly correct, but sometimes they’re wrong. I’m trying to make work that creates a moment when it’s possible to notice such dynamics while also avoiding the ‘punchline’ of an optical illusion – that is, to deny a moment of ‘getting it.’” – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

Anyone who’s lost a loved one can testify to the unfamiliar pain of fresh grief. It really is an emotional roller coaster, full of shocking joy and debilitating sorrow, always appearing at unexpected moments. After losing her grandfather, artist Monica Martinez-Diaz channeled her pain into art. Her latest exhibit covers her journey using photography, books, and video work. It tackles the opposing forces of grief through bold colors and small details. Its loving appreciation of the people who travel through our lives is guaranteed to resonate. – Cat McCarrey

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

The diverse lineup of hilarious, always surprising improv shows continues, with Pgraph and Maestro and the Big Bash and more, for the most unexpected delights of in-person entertainment.

Accenting soft, blurred pastels with sharp acrylics, Yamin Li’s “Gnortsma” exhibit reflects the uncertainty of life as an immigrant. Nothing is quite right in the series’ 20 paintings; the Chinese artist blends “habitual objects” – houses, trees, toys – with more unexpected ones, like a figure rendered with childlike collage bearing a medieval spear and sword. Li debuts her works at a May 2 opening ceremony, which runs from 5:30 to 7:30pm. Afterward, the Central Library will display the exhibit until July 14. – Carys Anderson