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This is that rarest of wartime dramas: an intimate, sorrowful glimpse into the heart and loins of the hellish aftermath of war when sex is used as a weapon.

Loud, abrasive, and featuring performances seemingly calibrated to be heard over the cacophonous roar of Travolta's mad, bad overacting, this is an unnecessary and ill-advised remake.

Just what's needed in the big house – Perry's pistol-packing granny.

Call it the last cinematic gasp of the Bush era.

In this true story, Daniel Craig and Liev Schreiber play two Jewish brothers who escape into the forest to elude capture by the Nazis and wind up birthing a small village of escapees.

El Paso council is calling for an honest discussion on how to end the failing War on Drugs

Marvel Comics' Frank Castle again comes to the screen as a one-man vengeance machine in this stylishly violent and gory opus.

Character actor Robert Davi directs and co-stars with Chazz Palmintieri in this movie about a former doo-wop group that tries to recapture its glory days.

Jean-Claude Van Damme is the JCVD of the title, and in this career-adjusting film, the Muscles From Brussels advances from laughingstock to smart, respectable action-film star.

Director Guy Ritchie once more delivers a kinetic and consequence-free tribute to the criminal lifestyle.

Ed Harris takes a turn behind the camera again in this Western in which he co-stars with Viggo Mortensen, Renée Zellweger, and Jeremy Irons.

The Coen brothers may be masters of black comedy, but there are times when there’s no point in taking them seriously.

Vin Diesel stars as a mercenary hired to escort a woman with a dangerous virus out of Russia.

This grindhousey biker film, executive-produced by Quentin Tarantino, is a convoluted, overly snazzy-looking tale of bad blood between even worse people.

The many pleasures of this riveting psychological thriller from France derive more from the perplexing questions it raises than the discovery of the answers.

Michael Haneke comes to the U.S. to remake his tortuous German film about psychological terrorism with Naomi Watts and Tim Roth.

This Brazilian followup to the award-winning City of God tells a new story but continues its look at gangster life and the cycle of poverty in the slums of Rio de Janeiro.

If basketball must be mocked, it deserves to be mocked well, and unfortunately, Will Ferrell's Semi-Pro isn’t up to the challenge.

The Signal is an audacious horror film that nonetheless veers on occasion into surreal black comedy.

Apocalyptic monster mash makes big crash.

Jodie Foster might be good at playing a master of vengeance, but The Brave One turns out to be little more than an upscale B-movie about getting even.

This British horror comedy ricochets from violence to vengeance to outright survivalism, with comedy – some brilliant, some less so – underlying it all.

Pitting a skinhead against a priest, this Danish comedy, like most of that country's dramas, is dark, dark, dark.

This continuing story of a populace that fears infection from a "rage virus," forges ahead with panic-paced sequences of graphic, random violence.

This Texas-made slasher film draws on the early Eighties Ellebracht slave-ranch case in Kerr County for its story, but like the real thing, it's a bloody mess.

Girls and their horses. They're grist for this new update of Mary O'Hara's beloved novel My Friend Flicka.

Canny casting and a sly anti-consumerist message give this animated feature extra adult appeal, but like a lot of animated fare it’s overly busy and splashy.

This remake ratchets up the gore while subtly rewiring some of the characters, but it never manages the nagging subtexts Craven so handily injected into the original horror film.

Sandler and Rock keep the ball in play for this old prison football gem, although they fail to score any new points.

Early film from South Korea's enfant terrible Kim Ki-duk is a coarse and distubing drama about obsessive love.