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One was a hardworking Renaissance man, a student of literature. The other was a hard-living military veteran, a cameraman-in-training who stumbled into acting after his grizzled mug and gruff mien won a talent search. Together, Akira Kurosawa and Toshiro Mifune created some of the Japanese cinema's most enduring treasures.

French cinema’s enfant terrible faces the horrors of growing old

Ti West returns with a brilliant period horror-porno (horno?)

Something something family something. The unkillable franchise lumbers on.

New Austin-set series explores breakups in the digital age

We extend a big bear hug to Paddington.

Director Joel Schumacher discusses his new thriller, Phone Booth.

Roger Avary does Bret Easton Ellis.

Branagh, as the film's director and star – captures Shakespeare's captivating comic romance at the peak of flavor.

New short “Lovebites” features on the Insecure star’s website

Line up for your innoculations: We've been Smurfed.

This intersecting story that follows a half-dozen New Yorkers over the course of one long day and night is intellectually engaging and genuinely surprising, although not terribly risky.

Pierson's deputy, Claudette Godfrey, assumes leadership

Unconventional romcom tackles the emotional challenges of the sexuality spectrum

Remarkable record of the middle years of the choreographer who rejected labels

Two-screen theatre will showcase the best of new and classic arthouse cinema

The 1968 debates between William F. Buckley and Gore Vidal are legend

Alison Ellwood's No Limits premieres tonight on ESPN

An unrelenting tour de force thanks to Simon Beaufoy's clever script, Danny Boyle's inspired direction, and James Franco's amazing performance, 127 Hours is primarily an unforgettable examination of the human spirit under extreme duress.

It’s a soggy true-crime drama – too serious to be trashy, too trashy to be serious.

Anything goes at the Alamo's Open Screen Night.

Portrait of a young junkie – and those he loves.

SXSW 2000 Film Festival and Conference