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Ben Stiller stars in this smart and winning remake of a 1972 Neil Simon-penned comedy about a man who falls in love with another woman on his honeymoon.

Though it’s as estrogenic as dong quai, this amiable film about six friends and their book club is thoughtfully rendered with a certain universality of spirit.

When a Seattle man is transferred to India due to outsourcing, he overcomes his aversion and becomes the eventual poster boy for immersing, life-altering travel.

Jane Austen could spot a phony, and, as a result, she would not have been happy with this romanticized account of her early years.

When the time comes for an aging gangster godfather in Hong Kong to step down, a bloody battle for control ensues in this vivid story about thug life.

While No Reservations is no Big Night, it's surprisingly winsome in parts, by virtue of Catherine Zeta-Jones' performance, and a romantic fable that lingers on the palette of the mind's eye.

Parker Posey gives a lovely, toned-down performance as Nora Wilder, the single, mid-30s Manhattanite at the heart of this romantic comedy.

Despite a storyline that involves an unplanned pregnancy, various affairs, spousal abuse, maternal ambivalence, and food-service employment, Waitress is an optimistic comedy about getting past your mistakes and making the best of life.

This legal thriller pits two brilliant actors against each other in a sustained battle of wills that has enough sizzle to keep us rapt even when the storyline sags.

Despite the fact that Tyler Perry relies on contrivances and sentimentality, he manages to spin a good yarn in the process.

This British coming-of-age drama and romantic comedy is fairly predictable, although the charming actors manage to keep the story’s characters just this side of stereotype and mediocrity.

Despite sporting Heath Ledger and Abbie Cornish as a pair of Australian junkies increasingly on the outs with family, reality, and rent, Candy is a washout.

Nancy Meyers’ follow-up to Something’s Gotta Give mines the same go-girl terrain but is far less interesting, featuring stock characterizations and a blandly upbeat vibe.

Although made in 1969, this French masterpiece by Jean-Pierre Melville is receiving its first stateside release.

This oddly dispassionate film about a young man dying of cancer is the French antidote to those Hollywood weepies in which the heroine courageously faces her own mortality with every hair in place.

Surprisingly, this atmospheric movie starring some of the greatest actors of our time is a dull and enervating bore.

The South Korean master of revenge dramas, Park Chan-wook, offers another entertaining puzzle of emotional nuance, riotous color, and bloody hell.

Lindsay Lohan takes on a grown-up role, but we can't tell the difference.

Soap melodramatics masquerade as high art in this south-of-the-border drama about a love triangle and marital infidelity.

Johnny Depp runs away with the show in this murkily filmed picture, cackling all the while and defiling beauty in all its forms as the exceedingly decadent Earl of Rochester.

Hallström’s latest is fine but unambitious, content with what it is – an arthouse trifle with tricorner hats, corsets, and powdered wigs.

A Farrelly brothers comedy that purports to have a message about treating the intellectually challenged as regular human beings and stars Johnny "Jackass" Knoxville is about as disingenuous as a comedy that urges us to see past a person’s body size to appreciate the beauty within and stars Gwyneth Paltrow in a fat suit.

Jackson's remake is a corker of an action/monster movie: part RKO serial; part square-jawed, manly romp; and part classic journey into the unknown that recalls and references Heart of Darkness.

This likable romantic comedy runs the gamut of emotions – hitting tenderness, rage, remorse, and everything in between – but there are too many characters with too little chemistry to be a real keeper.

The beautifully wrought film is a tragic love story (not a "gay cowboy movie") that’s defined by its staggering heartbreak.

This Chinese film presents an uncharacteristically romantic look at the Cultural Revolution.

This Native American romantic comedy, which won the Audience Award at the 2001 Austin Film Festival, arrives in theatres four years late but seasonally right on time.

This fresh adaptation of Jane Austen’s masterpiece starring Keira Knightley presents a witty and lovesick skirmish of the sexes that exceeds all expectations.

Steve Martin's latest stands out as an elegant work, one that provides a welcome look at love, romance, and heartbreak without the encumbrances of the usual Hollywood folderol.

This French romantic comedy is little more than a heap of clichés whenever the director and star Yvan Attal's real-life wife, Charlotte Gainsbourg, disappears from the screen.