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This multiaward-winner from Sundance 2006 follows three “lost boys” of the Sudan, chronicling three years of their journey in the United States, while revealing as much about American life as African life.

Documentarian Freida Mock presents her subject as a play in three acts, but the academic and fragmented structure obscures the warmth of this playwright.

The first half of the film continues Clint Eastwood's ongoing deconstruction of America's hero myths but then detours into some uncharacteristically sentimental mulch.

Despite an A-list cast and director, it's astonishing how bad this movie is.

The House of Sand is a quintessentially moderate art film: panoramic and symbolic, epic in scope, technically accomplished, and miraculously acted by the mother-daughter team of Fernandas Montenegro and Torres in showy dual roles.

A rare opportunity to see what's considered the best in the field of short docs; plus all four nominees have a socio-political bent.

Despite the grating, workmanlike direction of Chris Columbus, this boisterous film is a vivacious, wiseacre musical and an inarguable morality lesson: Love is all you need.

In this heartfelt comic drama, a wonderfully controlled Nicolas Cage plays a man who, despite the appearance of success, is despondent over his superficiality.

As with many film adaptations of stage successes, David Auburn’s Pulitzer Prize-winning play about mathematics and madness loses something in its translation to celluloid.

Jim Jarmusch and Bill Murray meditate on middle age and the world of possibilities.

Even superheroes have to do their own laundry in Sam Raimi's truly spectacular vision that combines human pathos and breathtaking action.

It’s fitting that this is Disney’s last traditionally animated feature; the whole affair has a warm, nostalgic feel.

Composer Kent Kennan has been an essential voice in America's musical counterpoint since 1936 when he won the Prix de Rome Composition Prize. Now, at age 90, he'll hear the Austin Symphony play his composition for the very first time.

This dual love story spanning two centuries, taken from A.S. Byatt's Booker Prize-winning novel, is handled with typical LaBute pessimism.

Solondz uncovers suburbia's dirty secrets.

Manchevski's debut film impresses with its cagey temporal structure, incredible cinematography that exposes the precipitous Macedonian landscape, beautiful performances, and a thematic structure that adds to our understanding of specific and universal issues.