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Unusual Bollywood film is an anthology horror film with segments directed by seven different directors.

Wicked smart examination of black kids in modern Atlanta features talented young actors navigating the circuitous path to adulthood while spending their downtime at the local roller rink.

This vertiginous documentary about snowboarding talks with the sport's greats and shows them in action, rocketing down crag-encrusted, virgin slopes like buckshot fired from God’s own 20-gauge.

Red Eye’s no classic, but with its smart, twisty little script and those two killer performances, it's a helluva lot of fun.

Sticking it to the man, German-style, is the subject of this smart, kicky little gem.

A gripping piece of splatterpunk, despite the fact that there's not much to it and the plot crumbles in the third act.

Travellers & Magicians feels a bit like Chaucer’s Canterbury Tales as retold by Siddhartha, as this Himalayan beauty gently delivers a very accurate anti-materialistic Buddhist morality lesson.

Uday Hussein's former pleasure palace is now home to an American artillery regiment, whose members we get to know from their poolside antics to their far more sobering responsibilities of patrolling Baghdad.

Love’s fractured fairy tale, writ small and petty and almost too real to bear without flinching.

Possibly the ideal film to more or less ignore while lounging poolside and sipping Jamaican rum, After the Sunset is 100-proof pap.

This yuck-fest gets its jokes from men's fear of homosexuality and impotence.

Ashton Kutcher lays to waste a promising script involving time travel and unforeseeable consequences.

Christopher Guest and his recurring cast of players give Sixties-era folk music a gentle poke in the ribs.

Colombani's debut features a finely nuanced and altogether striking performance by Tautou, whose wide eyes adroitly reflect an inner world that ricochets from hopelessly in love to simply hopeless.

This is a nutty story about the life of the fictional ghetto hero Pootie Tang, whose struggles against corporate America after selling out become the stuff of legend.

This warped medieval yarn about a peasant who passes himself off as a knight glides by on a funny, friendly, goofy sort of goodness.

Ritchie's second feature is part broad comic farce and part grisly charnel house humor.