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This re-energized franchise has found its second wind: The Muppets' eighth movie proves that eight is not enough.

Kevin Costner stars in this snappy but contrived mix of international espionage and paternal redemption.

A man carves majestic caves in sandstone rocks, and a prison hospice sees a lifer to the end.

The Smurfs invade Paris. (Must've heard Jerry Lewis is a god there.)

This incoherent mass of Eighties kitsch is the brainchild of tae kwon do master and motivational speaker Y.K. Kim.

The shockingly rampant problem of rape in all branches of the U.S. military is the subject of this Kirby Dick documentary.

Friday Night Lights' Aimee Teegarden stars in this tween wish-fulfillment movie.

Burlesque bumps and grinds. And then grinds and grinds and grinds.

A group of strangers takes a ride with the devil on an elevator to hell.

This Bollywood film made in America mixes elements from crime thrillers, love stories, and Westerns in a big flashy bundle designed to win over viewers dwelling far from the Indian subcontinent.

This collegiate coming-of-age comedy is about as exciting as near-beer.

This French film set in late-Thirties Paris is something of a backstage drama, but it's marred by glossy reminiscing and melodramatic politicizing.

Cameron Diaz and Ashton Kutcher – two Hollywood actors known for their prankishness and pluck – never manage to convince us that this Sin City comedy is fun.

Kevin Spacey plays Mephistopheles to a cadre of M.I.T. whiz kids, who do a better job of counting cards at the Vegas blackjack tables than counting their loot.

John Sayles’ new drama is about life in a destitute African-American cotton-farming town in Jim Crow-era Alabama and the music that gave the region its mythology.

Nicolas Cage is again on the prowl in this sequel to the 2004 smash success.

The filmmakers crafted their nature footage into a kid-friendly "narrative" about the itty-bitty walrus and the little polar bear that could.

Ozon's film begins at the end and leads backward over the slow death of a couple's marital bliss, but even while we’re flipping through the snapshots of two people’s disenchantment with each other, it never feels tawdry or excessive or, for that matter, very interesting.

Portrait of a young junkie – and those he loves.

Assayas' camerawork and editing recall the glory days of the French New Wave, while Cheung holds the center as an actress caught up in the behind-the-scenes mayhem on a creative film set.

Based on the book The Traps of Faith by Octavio Paz, this Argentinean film takes place in 17th century “New Spain” (Mexico) as Juana Ines de la Cruz enters a nunnery to pursue her intellectual aims.