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With new venues and showcases, SXSW Comedy keeps giving Austin more to laugh about

This Hideout series both sincerely celebrates and lovingly pokes fun at the fantasy worlds we love

Something a little different for your loved ones this year

An ensemble of improvisers expertly captures the essence of Woody Allen's comedy

Even comedy can metastasize

If it's August, this must be Scotland, say three Austin arts groups

Each of the 69 Love Songs on the 1999 CD gets a scene in this theatrical venture

Or, more to the point, what can't comic, screenwriter, and now-novelist Owen Egerton do?

Hall & Oates write songs that make choreographed dances happen

Schmaltzy Victorian costume-drama improv, gamely and rather adroitly rendered

Austin artists reveal the intimate details of how they got their muse on

With improvisational movement, the performers work to play – to free up the ways they move

Chronicle Arts writer Avimaan Syam recalls 2008, in the theatre

The Austin comedian on his influences, why he's not in L.A., and Red River hipsters

Dinner-theatre nuptials, Texas-style

Girls Girls Girls launches its Boys of Summer series with guest male improviser Jeremy Lamb

In the improv created by Craig Kotfas and Ted Rutherford as the duo Vertigo Ramp, the unintentional chaos in the patterns is often as delightful as the patterns themselves

The initial results of the experiment Is That Science? – wherein members of the theatrical company St. Idiot Collective interacted with the element Improvium – were fast, furious, and funny

Amy Sedaris on 'Strangers With Candy'

Austin's improv headquarters is fielding its own nationally ranked team (of comedians, natch) to put a live comic spin on the Rose Bowl championship

An interview with the men behind the Folksmen.

The grand old troupe of the Austin improv comedy scene is closing its home of six years, and the Texas Commission on the Arts announces the appointments for state poet laureate, state musician, state two-dimensional artist, and state three-dimensional artist for 2003 and 2004.

Bringing kids to adult theatre is uncool, but what's about children's theatre, where they belong? Ada Calhoun borrows a friend's three-and-a-half-year-old son to find out and discovers that theatre ain't all magic when you're a preschooler.

Amoa Ceo G-o-e-s

A buffet of June Pride events in Austin