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The latest version of 'New Art in Austin' shows how much has changed in three years

The eight drawings of baseball pitchers, all in the same balletic contortion, are all about the pleasure of looking

Austin art is getting national buzz, but is anybody buying it?

Ryan Lauderdale's quasi-psychedelia and Michael Berryhill's stylized visions have little relationship, but both artists make a strong showing

Oscar Gillespie's stunning and intricate prints, as exhibited at Slugfest Gallery, wouldn't be more compelling if they were printed in the artist's own blood

Shawn Badgley eats some lead

"Making It Together," the second part of the summer UT art grad shows at the CRL, gives quick answers to questions surrounding the idea of collaboration in art

With her solo exhibition Nevermore, Austin artist Candace Briceño continues her sustained inquiry into landscapes while driving her use of color and line into new territory

The mail-art collaboration 'Hitten Switches,' by Travis Millard and Michael Sieben, is a journal, a two-person diary, an ode to friendship, and a manifestation of a respectful relationship

Eastside gallery Okay Mountain opens strong with "Repressed Burial Fantasy," featuring new works by Jason Villegas that gently remind us we are all meat for a bigger creature at some point

Scale is the theme in "Grid," where every artwork is on the same scale:4 feet by 8 feet, and the show is worth the visit

Review of Tina Medina's 'Pochismas' at Women & Their Work

At Camp Fig's new show, forget the art history and just laugh at the oddball imagery

What is extraordinary about artist Ana Fuentes is that in her works she aims to attain emotional states and alter external circumstances that are not part of her physical environment

Its distracting title notwithstanding, the Concordia exhibition Is This Drawing?' features some intriguing visual work by outstanding Austin artists

Four of Austin's master painters reveal the secrets of their craft

'Rising Stars' is an apt title for this small but sparkling exhibit of works by Robert Pruitt, Leona Scull-Hons, and Young-Min Kang.

'Collected Response,' the first joint exhibition of artists Steve Wiman and Marjorie Moore, is an extension of their shared passion for collecting

Xbox brings the talk, but can it walk the walk with its latest sports-game line?

How a ballplayer, a piano player, beatnik poetry, and Lubbock made Terry Allen an epic storyteller.

Twelve of Austin's cultural heroes will be inducted into the Austin Arts Hall of Fame at the 2003 Austin Critics Table Awards ceremony, and here is an introduction to them and some of their significant contributions to the local arts scene.

Chances are you've seen Powerhouse Animation's work, whether you know it or not -- its portfolio includes Adam Sandler's Eight Crazy Nights, Disney TV's The Proud Family, and plenty of local TV spots, ad campaigns, and one-off Flash animation projects.

"The Mystical World of Kelly Fearing: A Sixty-Year Retrospective" covers the work of this longtime Texas artist from his days with the Fort Worth Circle, introducing modernism to the Lone Star State in the 1940s, through his 48-year career on the UT-Austin Department of Art faculty, experimenting with form and style.

The times being what they are, you don't exactly expect to see new galleries sprouting across Austin's cultural landscape, but two just did: Oswald Gallery, showing fine art photography, and Jean-Marc Fray, displaying paintings by French artist Robert Bourasseau.

Memorializing The Public Domain Theatre Company, 1993-2001

Stirred up by the arts, sounding off on local TV

The Masters and Wimbledon

The next time you go out to eat, keep an eye out for the work of Austin artist Elizabeth Guenthner. She's showing in almost every cafe where it's possible to display art, and her works' precise, distinctly disturbing beauty is simply transcendent.

The assertion of the individual is at the heart of the Austin Museum of Art's new show, "Liberated Voices: Contemporary Art From South Africa," which makes it fresh and full of surprises; it resonates with the hungry energy of a country emerging from oppression and brims with experimentation and unique, original perspectives.

In the exhibitions “Old Master Drawings From the Suida-Manning Collection” at the Blanton Museum of Art and “Selected 20th-Century Master Drawings” at the Norwood Gallery, we can indulge our eyes in samples of art spanning five centuries.