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This wholly unwarranted sequel is so outrageously preposterous (and chockablock with bad dialogue) that the end result achieves a basement grandeur of near-epic proportions.

There are precious few surprises here, but this breezy remake starring Tim Allen is a painless affair.

Based on a young adult novel by Alice Hoffman, the film is about two best girlfriends who meet up with … a mermaid!

This high-tech heist thriller is like a For Dummies guide to the genre.

Hallström’s latest is fine but unambitious, content with what it is – an arthouse trifle with tricorner hats, corsets, and powdered wigs.

The film's wonderfully over-the-top performances often feel constrained by first-time film director Susan Stroman, whose inexperience behind the camera is all too apparent.

Houston-based, Iranian-born filmmaker Mashayekh relates the story of the pioneering 11th-century mathematician, astronomer, and poet, and reminds Western audiences that there’s more to Iran and the Middle East than suicide bombers and hummus.

This intercultural Houston-made film is an off-the-beaten-path ensemble drama that shows a healthy disregard for Hollywood rules.

More collegiate humor released by the folks at the Lampoon that has more hormonal smarts than necessary and about as many sex and toilet gags as you suspect.

With nary a decent, connective character in sight, this nasty sequel quickly becomes little more than a strenuous battle for survival among the already damned.

Whereas the Zorro of yore was a cunning subversive with a libidinous guerrilla panache, this new take with a tyke added is more like Leave It to Zorro.

Attention-deficit filmmaking reaches a new pinnacle in Tony Scott's hyperstylized portrait of a bounty hunter as an iconic bad girl.

This new animated comedy is a brilliantly conceived and executed bit of Brit wit, perfect for both kids and their parents and anyone even remotely interested in laughing themselves silly.

This adaptation of Haruki Murakami’s eponymous short story is a delicate little curio, lighter than air and gravely philosophical at once.

Johnny Knoxville stars in this slapdash tale of wacky Southerners and midlife crises that feels like a compilation reel of Blue Collar TV outtakes and Coen Brothers-lite quirkiness.

This intersecting story that follows a half-dozen New Yorkers over the course of one long day and night is intellectually engaging and genuinely surprising, although not terribly risky.

The Hindi megastar Shahrukh Khan and the arthouse director Amol Palekar combine forces for this new Bollywood fable.

Well-considered, beautifully made, and often gripping in its narrative, this film examines a man's complex relationship with a flock of wild parrots.

Leave it to the French to fashion an anguished psychological thriller that, in its last moments, also turns out to be a tender love story.

Possibly the ideal film to more or less ignore while lounging poolside and sipping Jamaican rum, After the Sunset is 100-proof pap.

Ostensibly a record of one mighty blues show, this film goes beyond the tag of concert film and achieves something more: a living history lesson, tracing the evolving sound of the blues.

Disappointing screen adaptation lacks the novel's satiric edge.

Overburdened domestic drama from Italy still features some great performances.

Jonathan Demme's riveting documentary about slain Haitian populist and radio personality Jean Dominique.

Mega-author John Grisham wrote and financed the making of this Little League baseball film starring Harry Connick Jr.

Despite the title of this sugar-coated fluffbomb of an urban romantic comedy, precious few rules are broken, cinematically speaking, during its quick, painless 90 minutes.

Clique comedy about teen groupthink lacks real bite.

This Bruce Willis, Matthew Perry, and Amanda Peet sequel falls several yards short of its mark.

It's hard to keep a good zombie down

Ben Affleck plays a widower dad in this family dramedy from an uncustomarily sweet Kevin Smith.