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Utilizing technology to combine dance and computerized music has come a long way since the Eighties, as can be seen in the 2003 edition of EARS & Feet, the annual UT College of Fine Arts program that pairs student composers with student choreographers to collaborate on a piece.

Art:

Everything you need to know to make the best of Pride Weekend

The virtuosi who know the score and make beautiful music happen here

Four professional artists discuss how having kids has affected their careers and ways of working

And Then Came Tango stirs up a fuss, but its birds fly after all

Dance Repertory Theatre's successful spring concert guided its audiences to heaven

Steven Dietz's new adaptation of Schnitzler's Reigen is solid and intriguing

Melissa Villareal's life was changed by Ballet East

The debut of UT's Musical Theatre Pilot Project is a visual treat, well performed, and with plenty of fun moments

Seven Austin arts organizations receive outreach grants from the National Endowment for the Arts, playwright C. Denby Swanson receives a McKnight Advancement Grant, and Peter Pan receives his own Amy's Ice Cream flavor.

The hottest arts venue in Austin this week may well be the UT Law School, where internationally renowned cultural figures, local arts luminaries, and prominent legal experts are converging there for a symposium on law and the performing arts.

Onstage, as in life, the impulse to be adventurous is often curbed by Practical Concerns, but FronteraFest is a performance jamboree that gives artists the freedom to go for broke.

Playwright Adam Sobsey cooks up some drama at Central Market, the UT Department of Theatre & Dance serves up six weeks of new works, and UT student Kristi McGarity snags the 2001 SEAMUS / ASCAP prize.

Dispatches from New York: Playwright Aaron Mack Schloff on the reading of his work In Galicia and artist Michael A. Arthur on creating drawings for American Ballet Theatre.

The Lover, a Harold Pinter drama staged jointly by ONE Theatre Company and the dance troupe Footesteps, is a turn-on, a balance of music, sweet lines, and sensuality.

The Year in Austin Culture

A major change in direction for Teatro Humanidad.

Big River: Pleasantly Adrift

Monday, Apr 5

Big: a Bit By-the-numbers

Gluckman Speaks!

Performance Artist Sally Jacques Lives Life on the Edges

How Much Do You Really Know About These Freaks?

FronteraFest `98: Bigger but Still Room for Everyone

Art:

America's Alternative Theatres Unite

Lessons and surprises from a career that shouldn't have been