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Dispatches from New York: Playwright Aaron Mack Schloff on the reading of his work In Galicia and artist Michael A. Arthur on creating drawings for American Ballet Theatre.

In the Zachary Scott Theatre Center production of The Santaland Diaries, actor Martin Burke takes the writings of David Sedaris and uses them to run the gamut from high hilarity to absolute panic to striking observation to calm elucidation. And the audience follows him everywhere he goes, laughing all the way.

That innocuous-seeming crew of people listed beneath the actors in every program, who scurry around in black backstage and hover over the proceedings in the sound and light booth, may not be well-known to most theatregoers, but this silent, hidden army is all-powerful. Techies get almost no share in the glory, but they run the world, and here's how.

Memorial notices for actor and talk radio pioneer Harv Morgan and UT art historian Marian B. Davis.

Ancient Greece and modern Denver may seem an incongruous pairing, but in the new Greek epic Tantalus, produced by the Denver Center for the Performing Arts, they prove a striking fit, creating a work that's heroic.

The winter holiday season is comin' in like a lion, train, and gangbusters, and don't you think for a minute that your pals at "Public Notice" aren't ready for the onslaught!

In Second Youth's 10th anniversary production of The Snow Queen, the ending can be sensed from the beginning, but it's the journey that counts, and this journey is full of wonderful surprises and theatrical magic.

While writer-performer Wayne Alan Brenner has a quirky style and indisputable stage presence, his new show Full Mental Jacket is so self-referential that, like an overanalyzed relationship, it talks itself to some semblance of death.

Austin playwrights are drawing attention around the nation, and one theatre company is getting hit by the Macbeth curse smack in the face.