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Roland Emmerich blows up the White House real good, so who cares if it doesn't all compute when you have Channing Tatum and Jamie Foxx (as an Obama-ish prez) battling to become last men standing?

Ambitious, brutish, and ruthlessly unromantic, this feminist reworking of the fairy tale has us under its spell.

White guys ruin everything. Why wouldn't they ruin sex?

This idea-packed comedy pokes holes in the notion of a post-racial America.

With typically blunt, disturbing, combative, unconventional storytelling, Fuller tackles the disease of bigotry with this story about a racist dog.

Why Mexic-Arte left one piece out of its "YLA 22" exhibition

Night two of a sold-out stand

And what, if anything, do RPGs and LARPing have to do with art?

Houston mayor jumps from senate race

Austin to host nation's largest White Cane Day parade

In James Ijames' satirical portrait of the artist as a privileged white guy, a black woman provides the most vivid and interesting shades

Frontman James Petralli talks of the old days and a new era

Kevin Costner and Octavia Spencer play guardians who fight over the custody of their granddaughter.

A disquieting feeling of apprehension is made palpable in Michael Haneke's import, The White Ribbon.

Who won the Democratic governor's debate? (UPDATED)

Dopey comedy is good fun.

LaBruce's third feature film layers its seamy walk on the wild side with a vivid portrait of a day in the life.

ACL Fest's a homecoming for the Austin-based guitarist

Country lifer and family built a honky-tonk heaven here on Earth

White Denim’s new LP Performance signals a new era of emancipation for Austin’s prog rockers, and Como Las Movies rides a nuevo wave

The one we can't seem to quit

Wage fight involving White Lodging moves to Council

Wayans brothers' comedy depends on latex and whitewash.

White lightning in a bottle at AFS Cinema