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With the long-awaited Topfer Theatre, Zach races full-throttle into the future

William Friedkin on serial killers and 'spandex movies'

Though touching, this homespun production was inconsistent

Harry Belafonte earned his arrogance

Despite the author's absence, Different Stages delivers a fine production

Daily reviews and interviews

Teen actors show a good grasp of Kander & Ebb's jaded Jazz Age satire

Why producer Charles Duggan is staging the biggest holiday spectacular Austin's ever seen

Tony Award-winning Director Jerry Zaks describes going to the dogs

Of the play's three stories about people dying, only one comes to life in this show

Stephen goes to San Francisco, hunting for Trannyshack and rolling papers

There's no stopping the indefatigable Ms. Stritch, and why would you want to?

Stuart Moulton knows what becomes a legend most. Just ask Carol or Charo or Eartha or Elaine ...

The national tour of The Drowsy Chaperone won't stop in Austin after all

The TexARTS artistic director gets to goose the goose-steppers one more time in a regional production of The Producers

For Tuna creators Jaston Williams and Joe Sears, the fourth time is the charm

Naughty Austin's production of the musical The Full Monty gets off to a clunky start, but once it hits its stride, it generously delivers a fun night for its audience

Tony Award winner and Lone Star native Judith Ivey discusses the challenges of portraying a dozen characters in the one-woman monologue show 'Women on Fire'

While he's best known for producing murder mystery dinner theatre, this month sees Gary Payne in a more traditional mystery: Anthony Shaffer's Sleuth

In Austin theatre, solo shows sometimes come in waves, as in the second half of August, which has four one-person theatrical vehicles opening the same weekend

Director David Yeakle revisits 'The Three Cuckolds,' the commedia classic that got his Tongue in Groove

Tom Doyal vs. Rasputin would be a damn good dogfight draw, don't you think?

UT delays the closing of Bass Concert Hall for a year, Conspirare wants to sing an ode by a young Austin poet, and Zach decides whether it wants to go out with Sally Bowles or Roxie Hart

The Zachary Scott Theatre Center's production of Terrence McNally's Tony-award winning Love! Valour! Compassion! may last three hours, but it captured every second of my attention, weaving themes of family and forgiveness into a moving experience.

Facts about the Tuna shows and their creators, and a guide to the characters in the plays.

A weekly rundown of the latest news in Austin's visual and performing arts scene

Remembering Madeline Kahn; also, what's on the tube for the holidays

Juneteenth

The Last Night of Ballyhoo: Southern Discomfort

Dee Dee Bridgewater