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The Chicago troupe's dances, grounded in contemporary ballet, ranged from ceremonial to intimate to absurd

Radio Ready, Hundred Visions, Slugbug, Coma in Algiers, and the Able Sea

Bidi bidi bom your bum down to Bernadette's

Take your typewriter, pencil, or pen, and if you make a mistake, you gotta do it again!

Citizens' calendar, March 25-April 1

Recent musical reads on Lucinda Williams, Sinéad O'Connor, and more

Personal journals from a plague-era festival

Nashville's Jaime Wyatt brings queer twang to Austin, Elysium gets Bizarre, and more events

Kevin Curtin unveils his third annual list of local releases

George Pelecanos gives us glimpses of Washington crime and life

Surviving 17 years on a prison farm

Thai director Pen-ek Ratanruang goes bang with a 'Headshot'

Unfortunately, Norman Mailer is more a journalist than he is a novelist, more a student of humanity than a creator of lives

Saying adios to Texas music titan Freddy Fender, and bienvenidos to a little band called the Rolling Stones

Your Style Avatar defines "tarantism," to which we might add, "obsequious"

Stephen acknowledges how recherché it would be for him to review his own show and then proceeds to do so

Shostakovich's 'Lady Macbeth of Mtsensk' burns with violent passions and dark deeds, and Austin Lyric Opera brings this torrid tale to blazing life

Gift guide

How does Stephen M. M. repeatedly get such hot dates? By being the Avatar's Avatar, that's how. See what local gigs he appeared at this week …

In Charlie Victor Romeo, New York City theatre company Collective: Unconscious acts out in-flight catastrophes mined from actual Cockpit Voice Recorder transcripts, and it's effective beyond all hype, beyond any amount of technical chicanery enjoined to provide fright in more fabricated productions.

Keeping one eye on television and the other on pop culture.

Using a legion of artists from the early Sixties, the Austin Museum of Art exhibition "The New Frontier: Art and Television 1960-65" offers an illuminating peep into a time when a measly 10-inch black-and-white TV set was the American family's window to the world.

Ada Calhoun finds wicked delights in Zach's production of David Sedaris' The Santaland Diaries.