Search

In this week’s issue, we’re looking back to the beginnings of Austin Studios, assessing C3 founder Charlie Jones’ mid-career move, and crossing – finally! – Super Tuesday’s finish line

The city and state begin to show their work

Influential Austin characters reminice on 40 years of playing, shopping, and encountering life-changing moments at the heart of Austin music

Guitar Techs

Chronicle reviewer Tom Doyal has took to writin' just like Larry L. King, the playwright behind The Best Little Whorehouse in Texas (and much more, Doyal reveals, in his review of King's new book of letters).

UT's Harry Ransom Center, which acquired the complete archive of Stella Adler, celebrates her impact on American acting in the symposium Stella Adler and the American Theater

Of what to us is the Fourth of July? Reading the room and rethinking democracy.

The history of Salvage Vanguard Theater's unlikely sci-fi success, The Intergalactic Nemesis

A merry miscellany of local art markets and fairs to visit over a dozen days

ARC of the covenant, good Reputations, and Blind Sight

What happened today in gay? Here’s your QILTBAG recap of queer news.

Looking back at a year of Texas travel

Growing Population

The Luck Summit starts 4/26 and wraps on Willie Nelson’s birthday, 4/29

Dark-wave riders surf the Texas scene on Saturday

Crowdsourced sci-fi, getting steamy with Black Pistol Fire, and a mighty storm of music

This giant shark tale simply lacks bite

By building this structure, the Blanton enabled a major modern artist to realize his masterwork

What happened today in gay? Here’s your QILTBAG recap of queer news.

Four Texas wineries are joining to launch Texas Fine Wine

Ten music writers reflect on the records they loved this year

Eduardo Sánchez makes a monster movie against the Bastrop fire

Smoke on the West Campus sidewalk

North Carolina duo play Paramount Stateside on April 30

Epic Q&A with Blue Öyster Cult’s “Reaper”

Austin special effects artists can kill you with a squib or with a CGI bullet hit, gore it up with pig entrails or digitally composited blood, and create just about anything you can imagine with their bare hands or software. Does the industry need both?

The story behind Paul Stekler and Daniel McCabe's documentary George Wallace: Settin' the Woods on Fire

Girls Like Us: The Texas Documentary Tour

Margaret Moore's controversial handling of rape cases brings opponents to the race