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Picking up where Mystery Science Theater 3000 left off, Mr. Sinus Theater 3000 skewers the movies of our childhood to sold-out crowds at the Alamo Drafthouse.

The future of Music Televison

The ballad of Mambo John Treanor

Evan Smith translates a New York pedigree into the editorship of Texas Monthly.

With Adventures of a No Name Actor, a comic memoir of his adventures in the screen trade, anonymous player Marco Perella is finding literary stardom.

Austin considers a $95 million incentives package for AMD

Charlie Robison says 'fuck everybody.'

Richard Linklater and John Pierson Ponder 'Slacker' and Its Aftermath

Trying to find ways to make art while sustaining a family is no easy road.

Red River, home to Austin's real live music venues

Austin microradio lived fast and died young -- can the movement live to broadcast another day?

ZapMe!'s snooping on kids, downsizing hurts the boss too, and Fleet Bank's fleeting sympathies

The conviction of Robert Springsteen in the yogurt shop murders leaves many questions unanswered.

An overview of the Texas Film Commission, which has been wedding film production and the state economy for 30 years.

The City Council moves forward with Austin's regional transportation plan, but assures neighbors of road-widening projects proposed in the plan that they, not the state of Texas, have the authority to decide what gets built and when.

Keith Graves, the author of seriously ridiculous stories like Frank Was a Monster Who Wanted to Dance, is garnering Hollywood’s attention, but did he ever want it?

Austin Preeminent Concert Promoter Ponders Retirement

With the current state of the environment, long belabored by activists and scientists who point to any number of warning signs of planetary collapse, it makes sense, Chronicle contributor Dan Oko writes, that writers with deep green inclinations would juggle literary aesthetics and scientific data in their efforts to jar us from the stupefying impact of too much information and too much bad news.

For four years, playwright Lisa D'Amour and director Katie Pearl have forged an uncommon bond with audiences through the welcoming, intimate quality of their theatre work. They've also forged an uncommon bond with each other, a mutually fulfilling creative partnership that will continue for the rest of their lives.

Federal judge rules for LCRA on the Dripping Springs pipeline project, but the SOS lawsuit proceeds

Living the pop life in Austin

The video mailed across the state, the Christian film that found an audience in Austin, and other stories of evangelicals using film to spread the word

A profile of the new Texas ACLU and Executive Director Will Harrell

Once an outlaw, always an outlaw: The Return of Steven Fromholz

For Spy Kids, his first youth-oriented movie, director Robert Rodriguez maintains the spirit of youth - and El Mariachi

What's a successful writer like Dagoberto Gilb got against the establishment?

Talking turkey with X-Ray

An interview with SXSW honoree Penelope Spheeris

As the economy takes a dive, many high tech workers find themselves stuck on the temping treadmill

Good cops and bad cops, radio waverings and global warming warnings.