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The title of Monika Bustamante's 'Stillborn' is no pun but a promise of what is to come: two hours of anger, rape, murder, and stillbirth that is upsetting, dark, and, unfortunately, not illuminating

Sneaking Into Summer

Battle reflects Lege’s growing extremism

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Festival drops complete lineup, with 2020 titles getting their shot

Red-hot and really long list of all the titles to date

New clinic to help city, county eradicate HIV

Cast of the nerdcore adventure hit the Highball

UK instigators blow the roof off San Antonio dance hall in Chapter 4, Part 2, of the “Austin Punk Chronicles”

Feature and shorts from 2020 fest going online for 10 days

TBF hosts Don DeLillo, Thomas Dolby, Emma Cline, 277 more

Spring Previews 2000

While state HIV rate declines, Travis County rate climbs – especially among African-Americans

Roasting Ursula

Going Clear: Scientology and the Prison of Belief premieres

Everyone wants face time with the candidates

Greens question the need for Golden Staters

The central thesis in this ominibus of short films is that New York is not its landmarks or its landscape; New York is its people.

Starring Russell Crowe, this American redo of a great BBC miniseries about investigative journalism and nefarious institutions neither embarrasses the original nor is superior to it in any way.

As the Guardians of the Galaxy gather once more, every MCU film reviewed

The Marvel Universe expands to include comedy

Another 547 acts booked for the 2015 Music Conference

Picks & Sleepers

You have to admire Michael Almereyda's contemporary rendition of Shakespeare's Hamlet if for no other reason than its audacity in staging one of the passive prince's timeless soliloquies in the Action aisle of his local Blockbuster. “Go Home Happy,” chirps the store banner in the background.

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Also, sampling Flobama's beats, and remembering landmark pianist Margaret Wright