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Quintessentially French in its preoccupation with the vagaries of l’amour, Shall We Kiss? is painfully dunderheaded about the proclivities of the human heart.

Shane Black's directorial debut is a suckerpunch-and-a-half, a trippy tribute to L.A. noir and a genre-busting blitzkrieg attack on Hollywood pretensions that’s just as full of them as the pulp it lampoons.

You could say Paul Haggis' The Last Kiss is something of a Garden State redux, but Zach Braff's character here is less fanciful, less melodramatic, and far more prone to doing the thoughtless things men tend to do.

No bands have ever sounded better at Circuit of the Americas

Davis plays a suburban mom, amnesiac, and trained-to-kill bottle blonde.

A Hong Kong tales of lives lived long in the closet

Local writer/director confronts sexual violence

The new Silicone Protexion flat iron is a Kiss to the hair

A photo gallery from LUSH's Kiss & Tell protest.

First Place

In Alex Holdridge's lovely new film, two twentysomething Los Angelenos wander the streets together on New Year's Eve, walking and talking amid the stunning black-and-white cinematography.

Time for a real vampire weekend

The Italian film which was adapted for the American remake starring Zach Braff.

Aldrich's paranoid film is the definitive Mike Hammer movie, outsleazing even Mickey Spillane’s conception of the private dick as an amoral slob.

Movie news, Tim League, and Gene Simmons (not dueting, sadly)

Made in Texas occasions a trip down nostalgia lane

See In Search of a Midnight Kiss tonight, and maybe score one of your own