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A stilted, manipulative, and altogether unfun film starring Tim Allen and Martin Short.

Pulse, the American remake of Kiyoshi Kurosawa's 2001 horror film Kairo, is the McDonald's Unhappy Meal to the original's elegantly obtuse sashimi o' sorrow.

Although long on style and concept, this film lacks the primal urgency of Shimizu’s 2003 J-horror blockbuster Ju-on.

The fourth Potter emphasizes the emotional over the gothic

Despite a dream cast, this Hollywood remake of a Japanese horror classic is all wet.

Johnny Depp delves into the mind of author J.M. Barrie in this adeptly realized celebration of the wonder of the imagination.

A tiny French Canadian fishing village tries to woo a doctor to take up permanent residence.

The boy wizard rides again and this outing proves zippier and spookier than the previous two.

Shrek reloaded: DreamWorks discovers that it's easy being green.

The saga ends (and ends) back in the Shire where it began.

At once a fanboy's wet dream and an engaging, emotionally supercharged epic adventure

Mann's film, which has some terrific moments, hits the highlights only. Will Smith, layered in subtle facial prosthetics in order to resemble Ali, does no disservice to the memory of the Greatest, but the best thing here is Jon Voight, who loses himself thoroughly in the role of sportscaster Howard Cosell.

From the sets to the story to the whole tone of the film, this first Potter film is an almost literal adaptation of J.K. Rowling's beloved children's book.

This locally shot black comedy examines the bizarre feedback loop that exists among celebrity psychopaths, the increasingly tabloidized mainstream news media, and, not least, our own bad selves.

Jones and Smith make for an entertaining combo as they play secret agents who monitor extraterrestrials.