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A great American novel does not always a great movie make, but Baz Lurhmann, a director of delirious excess, certainly seems an apt fit for the Roaring Twenties.

A Mayan feast fit for the end of the world or the beginnings of a new age

WWE-style wrestling on the north side

We Put Words on Paper unofficial SXSW party

Unlocking Shearwater's The Golden Archipelago

Talented on the inside

Before giving in to romantic frippery, Definitely, Maybe functions as a believable, era-zagging retelling of one man’s overlapping love affairs with three women.

Cross Napoleon Dynamite's endearing optimism with Ben Stiller's total commitment to his goofy characters, and you'll wind up with a character something like Andy Samberg's hapless stuntman.

The Lookout, an odd caper story, marks Scott Frank’s directorial debut after years of working as a screenwriter on movies like Get Shorty and Out of Sight.

A concert of works by Donald Grantham, Russell Pinkston, Bruce Pennycook, Dan Welcher, and Yevgeniy Sharlat will be a veritable home-run derby of music by UT's compositional heavy hitters

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The film’s sour tone, unremarkable direction, and bewildering characterizations of sexuality and race will probably not not hurt the comedy's charm at the box office.

Seasick and Solitary on the Sandy Beaches Cruise

Facts, Not Gossip

Shawn Colvin, Timbuk 3