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A Hollywood pooch gets lost during a stunt and ends up a stray outside a downtown firehouse captained by a single dad with a stubborn school-skipping son.

Four disparate stories are woven into an eloquent and electrifying depiction of mankind's increasingly fractured state.

Although made in 1969, this French masterpiece by Jean-Pierre Melville is receiving its first stateside release.

This oddly dispassionate film about a young man dying of cancer is the French antidote to those Hollywood weepies in which the heroine courageously faces her own mortality with every hair in place.

Cronenberg's new horror film implicitly tackles the old question of nature vs. nurture: What are we born with and what do we acquire from our environment?

The work of fantasist Neil Gaiman finally makes it to the screen with its innate sense of wonder intact, despite this sporadically overstuffed package of magic, mystery, and masked madwomen.

What should be a battle of the sexes is more like a brief skirmish without any of the romantic tension that makes for an interesting – much less great – screen pairing.

Chris Van Allsburg’s magical tale of the Christmas Eve re-education of a Santa-doubting adolescent gets the motion-capture treatment.

Will Ferrell's Anchorman needs more work behind the scenes.

Steven Spielberg enters his Capra period with this optimistic melting-pot tale starring pal Tom Hanks, whose underused comic instincts come to the fore.

Biopic of the only person to have ever won golf's grand slam.

All About My Mother merges all of Almodóvar's noted preoccupations with women on the verge of nervous breakdowns, screwball melodramas, and flamboyant visual touches with a cohesive – and universal – story about the faces and roles we all adopt in public.

Malick's return to filmmakng after a 20-year absence is this WWII story based on James Jones' Guadalcanal novel. The film is a lyrical and introverted study of the curiously destructive relationship between man and nature.