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This production of Edward Albee's play shows that hubris and catastrophe are as much a part of America now as in ancient Greece

If your job isn't what you love, then something isn't right

With The Goat, or Who Is Sylvia?, playwright Edward Albee proves he is still able to shock us, move us, and create a true tragedy

The Zachary Scott Theatre Center revival of Who's Afraid of Virginia Woolf? is a real horror show, making the clash of Edward Albee's middle-aged marrieds George and Martha both titanic and terrifying.

Both versions of Albee's two-man confrontation deserve to be seen and in tandem

In The Goat, or Who is Sylvia?, Edward Albee has created an intellectual car wreck, and Different Stages has executed it so skillfully, you can't tear your eyes away

In the Coda Theater Project production of 'The Play About the Baby,' the actors deliver Edward Albee's brilliant and dreamlike play cleanly and clearly

Though the baby in Edward Albee's 'The Play About the Baby' may or may not exist, the play is funny and, in its evocation of a traumatic dream state, terribly, horribly frightening

Austin theatre's 'enfant terrible' swapped his poison pen for a Poison Apple and still gets people talking

Palindrome makes Albee's old/new play remarkable, insightful, and unsettling

The Year in Austin Culture

A perfect measure of schadenfreude on the rocks, with an angst chaser

This Jennifer Aniston and Jason Sudeikis comedy shows some sweetly crude family values.

ACC reaches deep to mine understanding from Albee's profound conversation about aging and dying

Danish actor Paprika Steen's turn as a fresh-from-rehab alcoholic is a tour de force performance.

These absurdist plays are more fun for those who'd rather think about it than get it

More bouquets for Lipstick Traces in The New York Times, and Austin theatre critics continue to take over the world

A good play about bad behavior, made even better by a great production

A Delicate Balance: Darkness Falls

Testifying About Movies

Nigel O'Hearn terminates Palindrome Theatre after three years, just as planned

This revival proves Albee's 1962 drama to be as brutal and unsettling as ever

From small town Texas to Pulitzer Prize at the Austin Film Festival

The Tony-winning playwright talks about the business of show

City Theatre’s safe staging of the classic embraces nostalgia

The Capital T Theatre production of Taylor Mac's absurdist satire puts the front lines of combat inside an American home