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E-Day is tomorrow! Here's the latest news before it's too late.

Early voting sets midterm records here and throughout Texas

This new adaptation of Anton Chekhov's beloved classic takes wing well enough but doesn't quite soar

Rich performances highlight the pain, hope, and heart in this staging of Samuel D. Hunter's family drama

Different Stages’ The Dresser shows where to find the juiciest drama in the theatre: backstage

The pleasure of this production of Ibsen's drama comes in the complex exchanges among the deeply committed actors

This production at St. Edward's University knows just how to bring forth this modest musical's many charms

On the partisan and nonpartisan election

Rakaa Iriscience: “People demand better, they’re gonna get better”

You wouldn't know this Sondheim musical was a legendary flop from the impressive staging at St. Ed's

A husband and wife play out their decades-long marriage in this intriguing farewell from Palindrome Theatre

A rollicking tone made this choral salute to opera's greatest hits an entertaining evening

This revival proves Albee's 1962 drama to be as brutal and unsettling as ever

An unrelentingly fast tempo flattens out the St. Ed's staging of Ibsen's epic

Ar Rud's production is how O'Neill's study of family and fragility is supposed to be

In this Czech film, the tumultuous marriage of a couple, who only stop quarreling for bouts of sex, faces a reckoning.

High spirits, drive, and lively interplay make this musical comedy a peppy peach of a show, a real swell treat

Though at times long-winded, Jean Anouilh's farce still has enough charm and humor to entertain

'Parade' is an ambitious musical for a university theatre department, but the entire company presenting it at St. Edward's is impressively in tune with Alfred Uhry and Jason Robert Brown's retelling of the Leo Frank case

There ain't nothin' like a ho'-down, and Austin Playhouse's production of The Best Little Whorehouse in Texas draws the audience to her big friendly bosom

Mary Moody Northen Theatre's 'Antigone' opens in riveting fashion, but its clever 1960s concept ultimately doesn't plumb the depths of this Greek tragedy

UT's Harry Ransom Center, which acquired the complete archive of Stella Adler, celebrates her impact on American acting in the symposium Stella Adler and the American Theater

Sam Bass Theatre's Forever Plaid took top honors at the 30th anniversary B. Iden Payne Awards

Latest ACoT theatre-award nominations favor two Austin musicals

The trick in staging Romeo and Juliet has ever been keeping the suspense in the second half that the first half never really needs, and the Austin Shakespeare Festival almost manages it

For all its luscious designs and fine actors who work exceptionally hard, Mary Moody Northen Theatre's production of Amadeus winds up more dull than daring

Seeing actor David Stokey in the Mary Moody Northen Theatre production of A Flea in Her Ear, carrying off the spectacle of a man whose life has utterly unwound for the most preposterous of reasons, provides a refreshing reminder of the pleasures of farce.

The full list of winners for the 2002-2003 Austin Critics Table Awards, recognizing outstanding achievements in local theatre, dance, classical music, and visual art, as presented during its annual ceremony at the Capitol City Comedy Club.

With only 11 players, two musicians, and the sparest of stage trappings, the Austin Shakespeare Festival's production of King Henry V provides a sweeping panorama of life during wartime, one that has much to say to a nation at war today.

The Mary Moody Northen Theatre's decision to stage Robert Schenkkan's monumental The Kentucky Cycle is laudable, and the St. Edward's University student actors and their Equity counterparts put their all into every moment of effort, but the production's nuggets of brilliance are lost in technical inadequacies, inconsistent acting, and awkward staging.