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Buffy creator Joss Whedon returns to TV with more tough-girl action on Dollhouse

Optimistic youth continue to curdle in this latest Todd Solondz outing, even though the film's tone is less shrill and insistent.

Todd Solondz revisits the family from his film Happiness, but the characters are all played by different actors, and the result is no less disconcerting.

On the surface, Rocket Science is yet another quirky high school movie, but its story of a stutterer who's enticed into joining the debate team is special in its own way.

Solondz uncovers suburbia's dirty secrets.

The strength of The Buttons and Bows Show is Buttons and Bows, beautiful souls whose innocence is charming and heartbreaking

Todd Solondz sets a pup in a world of humans who are all bark and more bite

'Dollhouse'

What's In and What's Out

Looks like the government – and the people – will have a little more time to prepare for the DTV transition

The geeks shall inherit the earth? They'll certainly rule San Diego this weekend.

Roth has accomplished the near impossible: He's crafted a vastly superior sequel to Hostel, one that supersedes the original's sadistic quotient, gore effects, and narrative subversiveness.

A good student is a prepared student. Here's our back to school curricula.

The Young Poisoner's Handbook

Sundance Film Festival 1997

Finnish body horror is a pretty, hollow egg

The photographs here fully reveal the artist’s skill with composition and light, but show less of their subjects’ interior life

Wes Anderson's film is a marvelous spectacle: spry, sly, and rich with microdetailed production design and tickling tributes to cinematic forebearers.

And what's the best thing they gave? Nine citizens answer.

Joe Wright's bold but empty imagining of Tolstoy's classic is set mostly within the walls of a theatre.

Inauguration Day might not count officially as a national holiday, but it certainly feels like a brand-new day

John Cameron Mitchell's sophomore film effort asserts – with great gusto and even a brass band – our universal right to sexual happiness.

Nominally the story of a 13-year-old girl who longs for a baby, Todd Solondz's latest is provocative, wicked, even bleakly funny, and ultimately empty.

Tood Solondz's feel-bad movie of the year

NBC actually dropped Freaks & Geeks -- the smart, funny, refreshingly true-to-life high school comedy? Well, duh. Also, a look at the WB's DC, the latest ensemble drama to feature incredibly good-looking people.