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Romero has again crafted a character-driven horror film that doubles as a metaphor for the economic disparity in America and, to a lesser degree, the war on terror.

A nonstop orgy of bullets, bombs, and booty that aims low and hits the bull’s-eye with enough firepower to sink the Bismarck.

Five Films We Don't Want to See in D-Box

Getting a white-knuckled grip on the third annual Fantastic Fest

John Roecker on 'Live Freaky! Die Freaky!'

In keeping a journal during my five days in Cannes, where my first feature, 'Room,' premiered internationally, it occurred to me that it's the creative energy in Austin that has carried me this far.