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An average guy finds the woman of his dreams, but his insecurities undermine the relationship.

The blurbing of SXSW

It's not the sideshow candidates who should worry Texas voters

SXSW Film announces feature film lineup

... And bloodsuckers and zombies and ghosts and murderers all over our stages this week

Mike Judge, the writer/director of Office Space, mines the workplace for more satiric comedy.

Jesse Dayton walks with a Zombie, while T Bird & the Breaks spice things up for the annual Hot Sauce Festival

Eddie Murphy has made an agreeable, family-friendly, kid-centric film without – lo and behold – a single fart joke.

Edwin 'Bud' Shrake and Stephen Bruton

'Midnight rambling, creative gambling': Louis Black's 1985 interview with Songwriter screenwriter Bud Shrake

What's all the ruckus? Why, it's the SXSW Film lineup!

Inauguration Day might not count officially as a national holiday, but it certainly feels like a brand-new day

An introduction, then a list of lots of cool things, shoved into 10 slots, that are not necessarily related to 2008

Legislative committee will hear testimony on a controversial substance abuse treatment program

Outer Limits

Non-native filmmaker Kevin Ford got here as fast as he could

Four of the company's most gifted dancers are taking their leaves after this season's finale

Tim and Eric of Tim and Eric Awesome Show, Great Job! perfect the anti-joke

Schedule

This serial-killer comedy, which screened during Fantastic Fest, is a self-indulgent, snarky, scattershot affair.

Daily reviews and interviews

This American horror remake of Takashi Miike's eponymous Japanese original is a dud.

The universal appeal of Lewis Carroll's story inspires 45 local artists in a new group show

Ron Livingston plays a lost soul in Cambodia who rescues a 12-year-old Vietnamese girl, who has been sold as a prostitute by her parents.

Horror overtakes a woman on level P2 of a parking garage, and the film's suspense plays on our collective unease with being alone, at night, surrounded by concrete and rebar.

Six years after Donnie Darko, filmmaker Richard Kelly returns with this incomprehensible, self-indulgent mess of post-apocalyptic anxiety, political paranoia, and pop-culture references.

A data nerd's dream come true, the Central Texas Sustainability Indicators Project's latest report is out

Weirdsville accomplishes something that is rare for Canadian-made comedies: It's actually funny.

Radio Birdman surfs out of Edgar Allan Poe's maelström a quarter-century later