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Different Stages doesn't light up the dark corners of this gothic comedy about the Marquis de Sade

Austin helps the Lysistrata Project become the Little Peace Project That Could, the Long Center says "no thanks, after all" to the $25 million in Waller Creek tunnel bond money, and Austin Shakespeare Festival launches a new reading series.

Despite atmospheric design work and some strong acting, the production never quite realizes the sensuality and lyrical ferocity in Steven Dietz's script

Theresa Rebeck's play about stamps has surprsingly high stakes, but they aren't always realized in Different Stages' production

This spoof has energy to spare but never feels as spontaneous as it should

This adaptation of Homer's epic is faithful to a fault and rough around the edges

This talky Agatha Christie mystery is long but serves up an amusing little puzzle

A strong acting ensemble plays this Neil Simon comedy like there's no tomorrow

Robert Schenkkan's 'The Marriage of Miss Hollywood and King Neptune' eases us back into that long-ago world of screwball comedy and serves up some new fun

Even without Hercule Poirot, the Different Stages production of Agatha Christie's 'Appointment With Death' provides a satisfying mystery

ATX Halloween week: Witches, werewolves, and haints, oh my!

The 'Fix' was in at the 40th theatre awards ceremony

While director Karen Sneed's vision for this Moliere comedy is clear, it's not always consistently presented

The Chronicle Arts team hits the 2002 FronteraFest Long Fringe to find how close to the edge this year's artists take us.

Hoping to capitalize on the success of Tobe Hooper's 1974 surprise horror hit Texas Chain Saw Massacre, Future-Kill reunited that film's stars Neal and Burns and aimed for a similar creepy / kitschy vein. It failed.Meat Loaf quits his day job to become the world's best roadie. Sound weird? It is.

The Whimsy:dream on