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This Don Cheadle movie is a rare Hollywood creature: an action picture with ambiguity, a blockbuster with more questions than answers, a shoot-’em-up thriller with a sense of moral and geopolitical ambivalence.

The animated Open Season is long on manic energy and bathroom humor but short on real storytelling, emotion, and characters.

The Covenant is a sleek yet empty picture about four handsome high school seniors who possess supernatural powers and impossibly chiseled stomachs.

A sequel to the Bollywood fantasy blockbuster Koi Mil Gaya.

Canny casting and a sly anti-consumerist message give this animated feature extra adult appeal, but like a lot of animated fare it’s overly busy and splashy.

Although long on style and concept, this film lacks the primal urgency of Shimizu’s 2003 J-horror blockbuster Ju-on.

This new version of the timeless love story is a dopey, mopey, all-around bore.

Steven Spielberg enters his Capra period with this optimistic melting-pot tale starring pal Tom Hanks, whose underused comic instincts come to the fore.

The film captures the heroic exploits of an Italian resistance soldier who falls in love with a French noblewoman during the French cholera plague of the early 19th century.

Howard's take on the ill-fated 1970 moon shot is filled with the almost unassailable heroics of the U.S. space program and the genuine urgency of history.

Action. Action. Action. More Action.

Back in 1981, when he was still working in his native Germany, director Petersen established himself as an action/suspense director par excellence. Set in a German U-boat during World War II, this claustrophobic suspense drama hasn't a weak bolt anywhere.