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Hearing a stately Passion from Arvo Pärt sung by Ensemble VIII and reading a Texas take on Moby Dick from Austin author Elizabeth Crook

In four ballets, three ways of collective being and one irrelevant romance

The singular, compelling choral music of the Baltic Sea countries has grown in popularity, so Conspirare is exploring the region's sounds in Cool Blue, its first concert of 2004

In this near-wordless film, Robert Redford is compulsively watchable as a man trying to save himself from his sinking ship.

The penultimate night of the 2001 New Texas Festival saw a reduced Conspirare Choir of 12 singers under the direction of Craig Hella Johnson compare and contrast selections by 16th-century composer Giovanni Pierluigi Da Palestrina and 20th-century composer Arvo Pärt in an evening that displayed just how exquisite Johnson's choir is.

Ballet Austin to Big Apple

Musicians get away with revamping one another's work all the time – and it's great

A new ballet leads the way in an ambitious community project promoting tolerance

The works in Dance Repertory Theatre's spring program proved unexpectedly timely in a week of unrest and anxiety

Joffrey Ballet's reconstruction of the 1913 Nijinsky ballet gave audiences a frame of reference for dance history

Neoclassical instrumentalists venture into the wild

A gray vinyl 7-inch with your exit songs?

Balmorhea might not be one of Stephen F. Austin's Old Three Hundred, but it scored the movement

The Last Word in Instrumental Rock

A 60-minute edit of the 8-hour Sleep? Do tell!

Herbie Hancock

Choreographer Kate Warren and Her Crystal Eyes