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In Anna Bella Eema three women sitting behind TV trays spin an incredible tale of a girl who builds a girl out of mud and what happens when she comes to life. And as written by Lisa D'Amour and directed by Katie Pearl, it is glorious, with a beauty and depth almost beyond language.

For four years, playwright Lisa D'Amour and director Katie Pearl have forged an uncommon bond with audiences through the welcoming, intimate quality of their theatre work. They've also forged an uncommon bond with each other, a mutually fulfilling creative partnership that will continue for the rest of their lives.

The Austin Critics Table is about to hand out its annual awards for achievement in the arts for the 10th year, and the list of nominees is longer than ever.

On Monday, June 3, the Austin Critics Table handed out its annual awards for outstanding achievements in the Austin arts in a ceremony at the Capitol City Comedy Club.

Playwright Lisa D'Amour muses on the distance between Austin and 'Detroit'

Where in the world is Detroit?

Physical Plant Theater becomes the latest Austin company to get a run in New York City when it takes its darkly comic political play 'Not Clown' to Soho Rep

Nine current and former Austin playwrights storm the finals for the 2003 Hedieman Award, while playwright Lisa D'Amour storms New York.

Playwright Lisa D'Amour's 16 Spells to Charm the Beast is an urban fable of loneliness and love set in a whimsical world where furry brutes pine for sophisticated housewives; at its best Salvage Vanguard Theater's production casts its own spell, capturing us in a thrall of poetic visions reflecting natural desire and supernatural devotion.

Two Austin playwrights join dozens of writers from across the hemisphere to 'dream the Americas'

Lisa D'Amour's acclaimed play finally lands in Austin, courtesy of Capital T

Theatre, dance, music, and film meld and get supercharged in the Fuse Box Festival

New York is calling, and Austin performers from the Rude Mechanicals to the Flaming Idiots to MOMFest are answering.