Throne of Blood

Akira Kurosawa and longtime lead Toshiro Mifune together interpreted Macbeth to legendary effect.

DVD Watch

Throne of Blood

Criterion Collection, $39.95 So it's come to this: dueling translations. "In Japanese, subject is largely absent, tense often irrelevant," writes Linda Hoaglund in Throne of Blood's DVD booklet. "I brazenly stray from literal translations." Hoaglund, who was raised in Japan, and her seven Kurosawa interpretations for Criterion over the years speak (or rather, read) for themselves. Donald Richie, author of The Films of Akira Kurosawa, uses an "undertranslator," maintaining, "I doubt that any translation is so thoroughly compromised as that of film dialogue subtitles." Hers: akin to Kurosawa's visuals, bold, melodramatic. His: formal, like the culture, yet animated by action-adventurisms. Nihilistic. And if any Kurosawa perfection casts senselessness as destiny, it's the cinematic emperor's upstaging of Shakespeare's Macbeth. Richie's book reveals Kurosawa wanted to follow Rashomon (1950) with what became Throne of Blood but instead killed seven years with trifles such as Ikiru and Seven Samurai, because Orson Welles had already beaten him to the dagger. Welles, however, didn't have Toshiro Mifune as a 15th-century samurai warlord heading the chilling Isuzu Yamada to furnish the Spider Web castle in crimson. Kurosawa, according to Michael Jeck's illuminating but unbearably pompous audio commentary, also had what amounted to a blank check following Samurai's epic success, and it glows -- from the first frame to the last. As Stephen Prince sets down in the disc's liner notes, Kurosawa's is an apocalyptic vision, which explains how Throne of Blood grims past black-and-white into a perpetual gray and black-hole abyss. Gray like the fog that lifts at the beginning of this thinly veiled ghost story. Black like Mount Fuji's volcanic soil. Black like Mifune's terrorized eyes. Black like man's ambitious follies. In the face of this, in unwashed hands and beheaded best friends, on witches' prophecies and spirits' screams, who notices divergent translations in different fonts? Only the chorus.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Screens Reviews
American Fiction, American Reality
American Fiction, American Reality
Cord Jefferson is putting the Black middle class back on the screen

Richard Whittaker, Dec. 15, 2023

2023 Oscar-Nominated Shorts: The Best of the Brief
2023 Oscar-Nominated Shorts: The Best of the Brief
Before the Academy votes, we pick our faves from the nominees

The Screens Staff, Feb. 17, 2023

More by Raoul Hernandez
Magda, Mélat, Madam Radar, and More Crucial Concerts
Magda, Mélat, Madam Radar, and More Crucial Concerts
Recommended shows for the week in Austin

June 28, 2024

Queens, Kings, and More Events to Help You Celebrate This Weekend
Queens, Kings, and More Events to Help You Celebrate This Weekend
Movies, theatre, classes, dancing, and more reasons to get out

June 14, 2024

KEYWORDS FOR THIS STORY

Throne of Blood, Akira Kurosawa, Toshiro Mifune, Donald Richie, Linda Hoaglund, Stephen Prince

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle