Lake Placid

Lake Placid

D: Steve Miner (1999); with Bill Pullman, Bridget Fonda, Oliver Platt, Betty White, Brendan Gleeson.

A sort of Ally McBeal meets Alligator. The only difference is that the giant creature is actually a crocodile and instead of the gaunt Calista Flockhart we get the equally lean Bridget Fonda. Aside from that, the same neurotic humor that drives David E. Kelley's hit TV show can be found throughout this movie (also produced and written by Kelley). The problem is that it doesn't really fit into the story, and the actors aren't capable of pulling it off (with the glorious exception of White). The story begins after a game warden in Maine has been gnawed to death by a mysterious creature. A plucky paleontologist (Fonda) is entranced by the huge molar left in the poor guy's body. Also interested are a local sheriff (Gleeson), a wealthy croc watcher (Platt), and a handsome game warden (Pullman). Everyone seems to be stumbling all over each other trying to find the giant reptile, and eventually, the trail leads to Dolores Bickerman (White), a foul-mouthed animal lover. With all the characters in place, awkward dialogue follows as well as the emergence of the monster. Effects are pretty good, and there is a degree of suspense. Aside from that, the film seems to be a comedy of errors, particularly on the part of the actors. None seems to comprehend how to play this flick. Straight? Campy? Funny? Only White (a real-life animal rights activist) seems at home in this mess. In fact, many of her profane lines are the film's highlights. Outside of the dramatic confusion, writer Kelley seems baffled as to what kind of message he's sending. Just check out the conclusion, which should appeal to both NRA and PETA supporters. Of course, there are several laughs to be had. All of which are unintentional and perhaps not worth some people's time.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Screens Reviews
American Fiction, American Reality
American Fiction, American Reality
Cord Jefferson is putting the Black middle class back on the screen

Richard Whittaker, Dec. 15, 2023

2023 Oscar-Nominated Shorts: The Best of the Brief
2023 Oscar-Nominated Shorts: The Best of the Brief
Before the Academy votes, we pick our faves from the nominees

The Screens Staff, Feb. 17, 2023

More by Mike Emery
Video Reviews
Cry-Baby
Cry-Baby is definitely one of the better Fifties flashbacks, thanks to Waters' flair for visuals and a vivid memory of the Eisenhower era.

Aug. 3, 2001

Video Reviews
American Psycho
Mary Harron's film adaptation of Bret Easton Ellis' novel, American Psycho, frequently hits the mark, thanks to leading man Christian Bale.

June 22, 2001

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle