Scanlines
Traveller
Fri., Oct. 9, 1998
with Bill Paxton, Julianna Margulies, Mark Wahlberg
Traveller opens with Bokky (Paxton) spraying the driveway of two genial homeowners with "sealant" for a couple hundred bucks. As rain begins to fall, he speeds away, leaving the suckers to watch as their new blacktop, actually just used crankcase oil, dribbles away. The name "Traveller" refers to a cultish, petty-scam organization run by modern day descendants of Irish immigrants living in South Carolina. A "cousin," as they call each other, is born a Traveller, marries a Traveller, and dies a Traveller. Occasionally, such as with the father of Pat O'Hara (Wahlberg), a Traveller marries an outsider and is banished from the group. Upon his father's death, Pat shows up at the camp wanting back in, only to be coolly rebuffed by the group's boss. But when Bokky promises to look after Pat, the two run a series of more or less successful cons until one of their victims (Margulies) catches Bokky's eye. Betraying all his instincts, he returns her money and begins sneaking away for secret rendezvous knowing full well what will happen if he's caught. The film is based on a tired cliché: The outlaw must decide between the testosterone-filled life of a grifter or the tender touch of a woman. However, the chemistry between Paxton and Margulies lends their characters depth and believability. Paxton does a good job of portraying an intelligent but simple man who is probably for the first time confronting questions about his lifestyle. While the story develops slowly, the tension builds as the stakes get higher. Unforeseen plot twists and a furious climax not only reward us for our patience but leave us sitting on the edge of our seats.
-- Jason Zech
Devil in a Blue Dress
D: Carl Franklin (1995)
with Denzel Washington, Don Cheadle, Tom Sizemore, Jennifer Beals
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-- Jerry Renshaw
The Wedding Singer
D: Frank Coraci (1998)
with Adam Sandler, Drew BarrymoreMaybe the trailer was the best thing about The Wedding Singer, a theatrical release only six short months ago, but there's certainly a lot to like about Adam Sandler's harmless paean to the Eighties. Sandler, shedding his slapsticky, relatively unfunny roots, goes for a full-blown parody of The Breakfast Club and Sixteen Candles set that will have anyone in the 20-to-50 demographic groaning. Yes, as it turns out, we only thought we had rid ourselves of personal excess with the Seventies. The painful reminder of how out-of-style Miami Vice and Michael Jackson are now, however, serves to get you to look around at your clothes and haircut and wonder how we'll make fun of ourselves in the next decade. Fortunately, The Wedding Singer is more than just a history lesson: It's extremely funny to boot. While 1997's Romy and Michele's High School Reunion beat Singer out of the gate as the first Eighties-mocker, the later film is easily a better rental because it so closely follows the John Hughes formula (outcast meets girl, outcast loses girl, outcast gets girl back). It's a formula that, surprisingly, still works, but only with the appropriate depth of tongue in cheek. And even if you don't care for sopping late-teen romances, how many other films are going to give you the opportunity to laugh about the painful memory of Boy George?
-- Christopher Null