The Enduring Emo of Paramore Connects Past and Future at Moody Center
Hayley Williams' “dream we didn’t even know we were allowed to dream”
61-90 of 9,739 entries
Wayne Lim, July 10, 2023
Snotty and Sincere, Blink-182 Creates a Nearly Pristine Pop-Punk Time Capsule
“I told you it wasn’t a fucking phase”
Abby Johnston, July 8, 2023
Only Austin Earned a Warmhearted Lucinda Williams In-Store at Waterloo Records
Celebrating her new memoir and LP, as well as shop owner John Kunz
Rachel Rascoe, July 6, 2023
promqueen, szn one
szn one (Record Review)
Wayne Lim, June 29, 2023
Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)
Doug Freeman, June 29, 2023
Ladyfang, Ladyfang
Ladyfang (Record Review)
Christina Garcia, June 29, 2023
The Smile Adapts, Reworks, and Evolves the Radiohead Formula
Free-flowing trio kept diehards guessing on second night at ACL Live
David Brendan Hall, June 27, 2023
With a Punk Attitude Towards Hyperpop, Alice Longyu Gao Celebrates Pride at the Ballroom
Singer’s LED sign declared Let’s Hope Heteros Fail, Learn and Retire
Adam Cherian, June 25, 2023
The Best Things We Saw at Oblivion Access 2023: Earth, BEAK>, GEL, and More
Highlights from year two of the underground Austin music festival
Wayne Lim, June 19, 2023
It Takes a Village: Memories of Kerrville Folk Festival 2023
Dispatches from the 51st campout, from Ray Prim to Flamy Grant
Hank Erwin, June 19, 2023
BLK ODYSSY, DIAMONDS & FREAKS
DIAMONDS & FREAKS (Record Review)
Kevin Curtin, June 15, 2023
Shaver Catalog Begins Afterlife With New West Reissues
Victory, Electric Shaver, The Earth Rolls On arrive on colored vinyl
Raoul Hernandez, June 15, 2023
Alex Coke & Carl Michel Sextet, EMERGENCE
EMERGENCE (Record Review)
Michael Toland, May 11, 2023
Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people
Wayne Lim, May 11, 2023
Tearjerk, Face to Face
Face to Face (Record Review)
Kriss Conklin, May 11, 2023
Rancho Alegre Conjunto Festival Hangs On to Unmistakably Tejano Traditions
From buzzworthy family band Baraja de Oro to local mainstay Los Pinkys
Nayeli Portillo, May 2, 2023
Willie Nelson’s 90th Birthday Tribute Convenes Keith Richards, Snoop Dogg, Norah Jones, and More at the Hollywood Bowl
Two-night song extravaganza pulled stars from across generations
Doug Freeman, May 1, 2023
The Best Things We Saw at Austin Psych Fest 2023
Toro y Moi, Automatic, and more highlight homegrown festival’s return
Rachel Rascoe, May 1, 2023
Blues, Funk, and La Bamba: Antone’s Austin Blues Festival Returns to Waterloo Park
Home of the Blues revives its genre mosh nearly a quarter-century later
Raoul Hernandez, April 30, 2023
Portrayal of Guilt
Devil Music (Run for Cover)
Julian Towers, April 27, 2023
Murs x Wiardon
speak n spell (Mid90s)
Derek Udensi, April 27, 2023
Trouble in the Streets
Satisfy Saturn (Spaceflight)
Kriss Conklin, April 27, 2023
Grimes Explained to UT Students Why Artists Should Make Songs With Her AI-Generated Vocals
Austin's new resident on the Drake deepfake track, TikTok, and MGMT
Rachel Rascoe, April 25, 2023
At Two Step Inn, a New Brand of Country Finds Its Central Texas Audience
Sold-out Georgetown fest matched Nineties legends and rising stars
Doug Freeman, April 17, 2023
CMT Music Awards Sticks the Landing of Austin’s First Major Televised Awards Ceremony
Moody Center prime-time production made the city part of the show
Doug Freeman, April 3, 2023
On Eras Tour, Taylor Swift Can Take Us Anywhere She Wants
Over those bridges and through the woods to Arlington stop
Rachel Rascoe, April 2, 2023
Hearing the Imperceptible as Laraaji Collaborates With Plants in a Church
Welcome to the most curious performance of SXSW Music 2023
Kevin Curtin, March 19, 2023
Bringing Comeback SOS to Austin, SZA Remains a Relatable Queen
Singer saves herself in sold-out Moody Center voyage
Katie Karp, March 10, 2023
Glue Kicks Up a Long-Awaited Punk Rock Rodeo
The reclusive quartet played This Is Austin, Not That Great
Robert Penson, March 6, 2023
Album Review: Jaimee Harris
Boomerang Town (Record Review)
Doug Freeman, Feb. 16, 2023
Empire Control Room & Garage
