Blaze Foley

Texas platters

Phases and Stages

Blaze Foley

Oval Room (Lost Art)

The Blaze Foley legend keeps growing. Oval Room continues the re-release of Live at the Austin Outhouse tracks, recorded in December 1988 at the late, lamented Guadalupe venue just four weeks before the obscure Austin songwriter was shot to death. And where 1999's 12-song CD reissue of Live suggested a quirky genius lay within the always jobless, often homeless local bard, Oval Room expands on and solidifies that notion. It couldn't be more timely. Perhaps it's the season, but two biting political tunes make the hardest impact here, the title track and "WW III." Although written for Reagan's Cold War ("If you don't hurry, sure enough, all these kids'll be grown up – be too old to die for you, so get 'em if you're going to"), the bitterness is even more prescient now. This isn't to slight Foley's tender love ballads or his sick, perverted sense of humor, though the visceral heartbreak that cuts through many songs explains why Merle Haggard developed a posthumous fascination with the guy. Meanwhile, Foley's utterly disgusting but hilarious ode to Idi Amin is long overdue for wider release. Bonus: This disc also preserves rare work by the late Champ Hood, as well as sound musical aid by other Austin icons such as Gurf Morlix and the Texana Dames. One hopes Champ and Blaze are jamming up there somewhere.

***.5

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
MORE Blaze Foley
A Walking Contradiction
A Walking Contradiction
The Legend of Blaze Foley

Lee Nichols, Dec. 24, 1999

More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Lee Nichols
From the Music Desk
From the Music Desk
On Willie, Billy, Stevie Ray, Blaze, and more highlights from four decades of covering Austin music

Sept. 3, 2021

Game Changer
Game Changer
A new football culture for Austin bars

Oct. 23, 2015

KEYWORDS FOR THIS STORY

Blaze Foley, Oval Room

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle