Songs for Blaze, a Friend of Ours: BFI Volume 4

Texas Platters

Phases and Stages

Songs for Blaze, A Friend of Ours: BFI Volume 4

(Deep South) As the liner notes to the latest Blaze Foley tribute proclaim, "It's rare for someone to influence others, 10 years after their death. ... [I]t's even rarer when four tributes are produced in someone's honor." The fact that that person is relatively unknown to the general public makes one think this could be some kind of cult. That notion is quickly dispelled when one considers the quality of Foley's songs and, as this collection reveals, that the late Austin-based singer-songwriter's music continues to influence people in wondrous ways. The fourth volume of BFI -- which is the company sticker found on many Dumpsters in Austin, and so the story goes, could also have stood for the sometimes-homeless "Blaze Foley Inside" -- takes a different tack than other tributes. Its 20 selections were written for or about Blaze Foley, some from his friends, others from those who admire his work. While every tune here isn't a gem, overall it's a surprisingly cogent and tuneful listen. There are the usual suspects, of course -- a live version of "Blaze's Blue" from Townes Van Zandt and Lucinda Williams' ode to the "derelict with the duct tape shoes," "Drunken Angel." Tunes like Richard Dobson's simple yet heartfelt folk ballad "Foley," John Casner's haunting "Straight to the Heart," and Kimmie Rhodes' elegant, poetic "Our Father's Face" demonstrate the many different sides of Foley's muse and spirit. And what a spirit it is, one that's still abundant and obviously not yet ready to rest.

***

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Jim Caligiuri
Carrie Elkin’s Life-and-Death Folk
Carrie Elkin’s Life-and-Death Folk
Her father's death and daughter's birth upped the stakes of the singer's finest work

April 14, 2017

SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
Soft Boys, Youngbloods, Moby Grape, Brian Jones’ grandson, etc.

March 18, 2017

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle