Phases and Stages

The Beat Divas

Maryann Price

If there was ever a time to drink in the healing power of music, two new albums from Austin divas provide the elixir to sooth whatever ails you. The lustrous voices of local jazz artists Dianne Donovan, Mady Kaye, and Beth Ullman, known collectively as the Beat Divas, soar in a stunning, carefully orchestrated live recording from Austin's newest (only?) jazz supper club, Reed's. From standards like "Straighten Up and Fly Right" to bebop and a vocally thrilling tribute to John Coltrane ("There Once Was a Man Named John"), the Beat Diva's sharp harmonies, clear voices, and mature, nuanced delivery is a marvel. Although recorded live, there's no sense of spontaneity in Live at Reed's, but that's not a bad thing. Together with Eddy Hobizal on piano, Paul Spikes on acoustic bass, and Kenny Felton on drums, Live at Reed's demonstrates the master musicians' attention to detail delivered with highly deceptive effortlessness. With that same effortlessness, Maryann Price's Lone-Star State o' Grace provides a heaping gumbo of jazz, swing, a splash of ragtime (thanks to pianist Tim Alexander), and final dollop of Louisiana swamp romp. This is no surprise to Price's longtime fans, who delight in the constant surprises Price pulls from her musical kit bag. Notable cuts include "God Don't Like It," a delectably sweet and savory duet with husband Tary Owens on "That Old Black Magic," and the divine "Don't Let the Sun Catch You Cryin'." Another milestone album for an Austin legend.

(Both)