Monte Montgomery

Texas Platters

Record Reviews

Monte Montgomery

Wishing Well (Texas Music Group)

Wishing Well is something different from Monte Montgomery. His third CD overall and first for the Austin-based Texas Music Group, it finds him moving away from the guitar flash he's become known for and concentrating on pop songs. Unfortunately, Montgomery's style of pop sounds seriously dated. His bio mentions Lindsey Buckingham several times, and Montgomery seems to borrow his ideas from mid-Seventies Fleetwood Mac contemporary fluff, in which Buckingham played a featured part. A prime example is the electric keyboard-drenched "Tomorrow Begins Today," with the not-so-insightful lyrical hook: "forever begins with tomorrow, tomorrow begins with today." Wishing Well is filled with all sorts of lyrical cliches just as simple-minded, and one tires of its glossy production about midway through. It's at that point, however, that Montgomery's guitar skills start to appear. "Soldier at His Best" features his interesting style and it's followed by the instrumental "Bagpipe," which is a multilayered guitar bit seemingly taken from Eric Johnson's stylebook of pyrotechnics. It's too little, too late. Though he tries, Montgomery has nothing new to say about life, love, or the human condition, and his music just seems to rush by without much to grab your attention. Maybe next time he'll concentrate on his strengths -- his talents are obviously in his guitar work -- and leave the rest to someone else.

**

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Jim Caligiuri
Carrie Elkin’s Life-and-Death Folk
Carrie Elkin’s Life-and-Death Folk
Her father's death and daughter's birth upped the stakes of the singer's finest work

April 14, 2017

SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
Soft Boys, Youngbloods, Moby Grape, Brian Jones’ grandson, etc.

March 18, 2017

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle