Pat MacDonald

Begging Her Graces (Ulftone Music)

Record Reviews

Pat MacDonald

Begging Her Graces (Ulftone Music)

It always seems as if Pat MacDonald isn't quite telling us the whole story -- that the ex-Timbuk 3 principal is holding something back, a bit of information that gives him the advantage. His songs shudder with a dark intensity, sung by a knowing voice fronting a formidable wit. And the literary acrobatics are only half the story; the music on this European release, enhanced by producer John Parish and many other contributors, is both delicate and defiant, an unusual depth for the traditional instrumentations, and a strange familiarity with lute, varija, and archilaud. Opener "Whiskey Bottle" starts things off on a typically contradictory note: hope and despair in the same breath. The album comes alive with "Little Dark Angel," a horribly catchy melody, the sweet-hot juxtaposition of plunky banjo and electric guitar the perfect foil for the vocal play between MacDonald's morose mid-tone and Lidia Pujol's lilting backup. Solo acoustic numbers glide off full electric numbers, the remainder of the album demonstrating a wider range of sounds than his last release ...Sleeps With His Guitar. No clutter, though, only the realization of ideas and melodies. "Severine" is disarmingly straightforward and sincere, "Space Kitty Blues" is a nutty romp -- the contradictions just won't leave you alone. There's a lot Pat MacDonald hasn't told us -- not yet, anyway.

****

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Christopher Hess
Phases & Stages
Rob Halverson
Second Whirled (Record Review)

Feb. 4, 2005

Phases and Stages
Stratford 4
Love and Distortion (Record Review)

March 14, 2003

KEYWORDS FOR THIS STORY

Pat MacDonald

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle