Tom House 'Til You've Seen Mine (Catamount)

SXSW Records

Record Reviews

Tom House

'Til You've Seen Mine (Catamount)

Though he calls Nashville home, Tom House doesn't really fit in there. In fact, it's doubtful he fits in any big town. His music is primitive and acoustic-based. Someone scrapes on a fiddle. Somebody else picks up a jug and blows into it. Meanwhile, a rhythm starts up, just two pieces of wood being struck against one another, House strumming a few chords and his oddly weathered voice begins to sing. These are sounds from the hills, not the suburbs. Equally entrancing are the poetic lyrics. House tells tales of life in today's American South, but these stories everyone else has seemed to miss. In the old days, this music would be called folk music, and it's true, at times, that House recalls the darker side of Dock Boggs or perhaps Woody Guthrie singing the truth as if it's the only thing he knows how to do. 'Til You've Seen Mine is House's third album, and with the help of folks like Sam Bush, Pat McLaughlin, Tracy Nelson, and David Olney, it's easily his most accomplished. Tunes like the bluegrass-tinged "Where Will You Lay Your Head," as country as the Carter Family, "The Cold Hard Curve of a Question Mark," and the subdued talking blues "Letter From My Father" demonstrate House's unique manner of writing songs that are forceful because of their simplicity. House's admirable talents grow with each new release and 'Til You've Seen Mine welcomes you to his one-man town. (Friday, Cactus Cafe, 8pm)

***

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Jim Caligiuri
Carrie Elkin’s Life-and-Death Folk
Carrie Elkin’s Life-and-Death Folk
Her father's death and daughter's birth upped the stakes of the singer's finest work

April 14, 2017

SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
Soft Boys, Youngbloods, Moby Grape, Brian Jones’ grandson, etc.

March 18, 2017

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle