Volume 32, Number 50
ON THE COVER:
news
The Mueller neighborhood at midcourse
BY ROBYN ROSS
Final city budget discussions begin in earnest
BY MICHAEL KING
BY RICHARD WHITTAKER
Sine die at last, transportation, water, and more
BY RICHARD WHITTAKER
City looks for ways to regulate Colorado River
BY ELIZABETH PAGANO
White Lodging, Taco PUD, and more
BY AMY SMITH
Officer claims accidental shooting, and DOJ asked to investigate
BY JORDAN SMITH
I/O Solutions becomes entangled in latest dispute about AFD's hiring process
BY MIKE KANIN
Health Commission numbers confirm decline in Texas women's care
BY JORDAN SMITH
The state of Texas has three executions' worth of pentobarbitol
BY JORDAN SMITH
Here comes the border-industrial complex
BY JIM HIGHTOWER
food
Local food trailers get in on the Fun Fun Fun
BY VIRGINIA B. WOOD
Great red wines under $12 a bottle
BY WES MARSHALL
Aug. 10-15
Food Reviews
Will Bridget Dunlap's new restaurant shine or tarnish on the Eastside?
Tiny ramen shop offers light, tasty twist on an old favorite
music
In and out of Austin with honky-tonk road crew Mike & the Moonpies
BY CHASE HOFFBERGER
Mother Falcon's open letter to the Scottish Rite, Frontier Bar's transformation into Lost Well, and soul man Bobby Patterson
BY KEVIN CURTIN
Texas Platters
Love Calling
Prince Avalanche: An Original Motion Picture Soundtrack
DPS / LP2
Yes, It's True
Now Would Be a Good Time
Underworlds
I Blame You
screens
Joshua Oppenheimer on the half-decade he spent filming for 'The Act of Killing'
BY RICHARD WHITTAKER
AMC brings a corrupt-cop tale to the Motor City
BY RICHARD WHITTAKER
Cause-driven film festival Lights. Camera. Help. hits the sweet spot between heart, mind, and action
BY JESSI CAPE
Film Reviews
In this disturbing documentary, former Indonesian death-squad leaders boastfully reenact their real-life mass killings with touches inspired by their favorite movies.
Class difference and life's shambles are on Woody Allen's mind as he leads Cate Blanchett through a perfectly calibrated performance as a Park Avenue matron brought low by modern finance.
In the year 2154, the rabble live on the garbage dump of Earth while the elite live in the perfect Elysium in the sky; Matt Damon is a mad Max who breaks on through.
Poseiden's son and his pals reunite to retrieve the Golden Fleece, but only the film's special effects grabbed our attention.
This new animated film is charmless and schematic.
Tamil thriller.
arts & culture
Katie Rose Pipkin and the new art
BY MATTHEW IRWIN
Art collective Ink Tank unleashes its sequel to last summer's blockbuster 'More Awkward Than Heavy'
BY CAITLIN GREENWOOD
With this new solo show, playwright Raul Garza takes a journey deep into Mexico
BY ROBERT FAIRES
Arts Reviews
Summer Stock Austin embraces the sprawling fun and surreal silliness of this durable coming-of-age musical
Blanche may want magic and not realism, but in City Theatre's revival, it's realism that makes the magic
Trinity Street Players production lightens heavy load.
columns
Journalists and political commentators largely ignore the facts they know
BY MICHAEL VENTURA
Three places in San Antonio to take the under four-foot-tall crowd
BY GERALD E. MCLEOD
An Austin ex-pat returns for a film screening
BY KATE X MESSER
That's no cock blocker, that's your wife
BY THE LUV DOC
Letters to the editor, published daily
sports
How Sweet It Is
BY NICK BARBARO
BY RICHARD WHITTAKER