Volume 26, Number 21
ON THE COVER:
news
In the name of "promoting childbirth," the state finds yet another way to deny health care to thousands of Texas women
BY JORDAN SMITH
DEVELOPMENT
Battle brewing in Lakeway over putting big-box store on city-owned land
BY KIMBERLY REEVES
Handful of holdout ranchers expected to sell their family spreads in name of what some see as suburban sprawl
BY KIMBERLY REEVES
Supreme Court grapples once again with whether Texas death penalty scheme and the Texas Court of Criminal Appeals' interpretation of its role in deciding death penalty cases meets constitutional requirements
BY RITA RADOSTITZ
Headlines and happenings from Austin and beyond
Austin's freshman senator picks up plum assignments
BY AMY SMITH
Crisis at Kealing the latest chapter in a too-long story
BY MICHAEL KING
Wynn is leading the way in cities' efforts to curb greenhouse gases
BY WELLS DUNBAR
What Hath George Wrought in Iraq?; and Cheating on Oil Royalties
BY JIM HIGHTOWER
food
Tom's Tabooley Mediterranean Platter
BY BARBARA CHISHOLM
Tezón Tequila
BY KATE THORNBERRY
Local artisan food producers should have a big 2007
BY VIRGINIA B. WOOD
Jan. 26-Feb. 1
BY VIRGINIA B. WOOD
Food Reviews
I have previously praised sushi that, in retrospect, was merely acceptable. My standards have been redefined.
About four years ago, Mehdi and Farah Meschi were persuaded by friends and family to move to Austin, and they opened Shandeez Grill last year.
music
C-Side Records' family values
BY AUSTIN POWELL
Ted Nugent livens up Rick Perry's inaugural ball, the literary side of the Texas Rollergirls, more parking needed on the Eastside, and a redheaded stranger comes to Coachella
BY CHRISTOPHER GRAY
Texas Platters
Live Shots
Foot Foot, Clap! Clap!
Amateur Saw
the Dirty Hearts
(Verb)
One Thing Right
Run Out of Darkness
Two
screens
Luke Meyer and Andrew Neel on Darkon and the real-world implications of role players at war
BY RICHARD WHITTAKER
Eric Steel on The Bridge
BY MARC SAVLOV
E-mail Angelina Jolie, support Screen Door and Reel Woman, or experience the effects of Hurricane Katrina in IMAX
BY JOE O'CONNELL
Star Trek: Legacy
BY JEREMY MARTIN
For once, Ellen Pompeo is spared Belinda Acosta's wrath while she goes after ... America Ferrera?
BY BELINDA ACOSTA
Screens Reviews
Though it was mostly noted for its cult performers and scenester ambience, the film's Criterion edition positions it firmly amid the commercial groundswell of independent cinema
Film Reviews
A sure winner for arthouse audiences with crossover appeal, Fabián Bielinsky's The Aura spins a purely enjoyable web of intrigue within a meditative, dreamlike setting.
An emotional and aesthetic whirlpool of horror, fascination, beauty, and resignation gives Eric Steel's Golden Gate Bridge suicide documentary an eerie power.
An archetypal date movie with a good heart, Catch and Release is the lightweight story of a widow (Jennifer Garner) who discovers that you never really know a person.
This remake of Robert Harmon's original 1986 horror semiclassic serves as a primer in how not to generate suspense.
Not reviewed at press time. David Lynch's latest mindfuck pits Nikki Grace (Laura Dern) and Devon Berk (Justin Theroux) against the characters they're playing in a cursed fictional film.
Bollywood meets Richard Curtis' Love Actually in this Hindi breakout.
A morality play without the morality, Seraphim Falls demands its protagonists (Pierce Brosnan, Liam Neeson, Anjelica Huston) resign themselves to their loneliness and brutality.
A person could have a reasonably good time with this confusing, Tarantinoid actioner starring Ben Affleck, Jason Bateman, Jeremy Piven, and Alicia Keys, but there’s not actually much tension in the movie.
Peter O'Toole, in an Oscar-caliber and -nominated performance, pulls off the tricky May-December relationship at the heart of Venus with colossal panache and sublime craft.
arts & culture
Grammy-nominated Conspirare brings together 600 voices in search of our national sound
BY ROBERT FAIRES
Mexican theatre company Teatro de Ciertos Habitantes brings a silent film from Mexican cinema into the 21st century, using a 19th century Japanese performance technique
BY BELINDA ACOSTA
Cheryl Bentyne, the willowy soprano of the Manhattan Transfer who also has a solo career, talks about the difference between singing with a group and singing alone
BY ROBERT FAIRES
The yearlong festival of plays by Suzan-Lori Parks continues with seven plays performed by company members of the Austin Shakespeare Festival
Arts Reviews
The novel dose of the now offered by the FronteraFest Short Fringe was on view Jan. 19, notably in "Bliss," a verse drama of dangerous beauty, and David Hendler's poems of Jewish identity
Austin Lyric Opera's American premiere of Waiting for the Barbarians speaks powerfully to life in a time of terror and oppression, sounding a wake-up call to our humanity
When a painting can make you seasick as the ones in Christopher Schade's Islands series can you have a work that's worth a look and a look again
columns
The deadly consequences of following Bush's instincts
BY LOUIS BLACK
Stephen has to go all the way to Seattle and Tijuana just to appreciate Austin style
BY STEPHEN MACMILLAN MOSER
A replica of Mission San Francisco de los Tejas is the centerpiece of the Mission Tejas State Park north of Crockett
BY GERALD E. MCLEOD
The Sabbath-Jethro connection, and the drunkest city in America
BY MR. SMARTY PANTS
Options when injured in an auto accident
BY BROOKS SCHUELKE
Alamo Drafthouse Downtown, Friday, January 26, 2007
BY THE LUV DOC
Letters to the editor, published daily
sports
MLS scours Europe for talent, and more
BY NICK BARBARO