Volume 22, Number 40
news
It's been a hard spring of politics in Texas; now it's time to relax with a book.
BY MICHAEL KING
A Quick Roundup of the Best and the Worst of the 78th Lege
Margot Clarke and Brewster McCracken head for the finish line Saturday.
BY AMY SMITH
BY MICHAEL KING
El Concilio leader's drug-and-assault arrest comes just as Mexican-American political cooperation is on the rise.
BY LAURI APPLE
BY AMY SMITH
Weekley family activism leaves a plaintiff worried about her chances for justice at the Supreme Court.
BY JORDAN SMITH
BY LAURI APPLE
BY LAURI APPLE
Headlines
BY MIKE CLARK-MADISON
The Lege battle over ethics covers a multitude of sins -- and hidden agendas.
BY MICHAEL KING
Some kind of weapon is being held to the heads of the hurry-up council
BY MIKE CLARK-MADISON
Bush appointee fights hard
for corporations; and Big Digital Brother Is Watching You
BY JIM HIGHTOWER
food
The Chronicle Food staff samples a buffet of books for the culinarily curious.
Virginia B. Wood reheats the food news in this week's "Food-o-File."
BY VIRGINIA B. WOOD
"Second Helpings" takes you on a return tour of Italy in Austin!
music
Sheet Music
Summer Reading
BY HARVEY PEKAR
Clifford comes home, Steamboat packs up, and Spoon seeks a pianist transplant
BY CHRISTOPHER GRAY
screens
Texas Documentary Tour presents the Oscar-nominated Spellbound.
BY ANNE S. LEWIS
Local Cooper Mini enthusiasts rallied at the Alamo Drafthouse Lake Creek this weekend in conjunction with the opening of The Italian Job.
BY MARC SAVLOV
Georgetown's Palace Theatre celebrates a weekend of Mary Pickford films.
BY WILL ROBINSON SHEFF
BY MARC SAVLOV
The Kentucky collective Appalshop presents a more truthful depiction of the rural life in Headwaters: Real Stories From Rural America.
BY BELINDA ACOSTA
Film Reviews
A man, beaten into amnesia, builds a new life in this Oscar-nominated Finnish film.
arts & culture
The full list of winners for the 2002-2003 Austin Critics Table Awards, recognizing outstanding achievements in local theatre, dance, classical music, and visual art, as presented during its annual ceremony at the Capitol City Comedy Club.
BY ROBERT FAIRES
At the age of 88, legendary dancer Fayard Nicholas continues to spread the good word of tap, and this week he does it in Austin as the Festival Legend at the third Soul to Sole Tap Festival organized by Tapestry Dance Company.
BY ROBERT FAIRES
As Second Youth Family Theatre revives its original musical version of The Bremen Town Musicians, set in 1930s America with a country, bluegrass, and gospel soundtrack, writer / lyricist / composer Allen Robertson reflects on the show's creation 12 years ago.
BY BARRY PINEO
This year's Austin Critics Table Awards ceremony turned into something of an endurance test, setting a new record for length at three and a half hours.
BY ROBERT FAIRES
Arts Reviews
In the Zachary Scott Theatre Center production of Side Man, director Dave Steakley conducts the play's overlapping conversations and monologue "solos" like a good bandleader, but that fine work can't compensate for the distance from the action created by playwright Warren Leight in depicting the gap between jazzmen and their families.
A program of songs sacred, secular, and straddling those two realms, all by Italian Renaissance composer Claudio Monteverdi, provided Conspirare with another opportunity to provide that which it does so well: powerful, ethereal song that seems to come directly from the distant, historical source yet has all the immediacy of new work.
Every visit to Hyde Park Theatre brings a discovery of something new, and in the case of Quake, it's playwright Melanie Marnich, whose surrealistic tale of a woman in search of a perfect love, a big love, a love that makes the earth move, is witty and perceptive.
columns
BY LOUIS BLACK
Our readers talk back.
Keg party at the lake! We get starstruck at the 10th anniversary party for Dazed and Confused, Richard Linklater's classic ode to bud and tube socks.
BY STEPHEN MACMILLAN MOSER
BY MR. SMARTY PANTS
BY GERALD E. MCLEOD
Is the Atkins diet a good option for weight loss?
BY JAMES HEFFLEY, PH.D.
BY SANDY BARTLETT
Letters to the editor, published daily