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Kelly Willis’ third act is shaping up as her most intriguing yet. From her Nineties emergence as alt.country sweetheart through the string of duets with former husband Bruce Robison to her current creative rejuvenation with Brennen Leigh and Melissa Carper as the Wonder Women of Country, Willis’ songs cut with an honest and raw emotion contoured by her sharp twang and sharper melodies. Her latest work rates among her best. Willis sits for song swap in the Saxon’s late-night slot with the low, languid drawl of New Braunfels native Dallas Burrow, riding last years’ fourth LP Blood Brothers. – Doug Freeman

Scions of pioneering music-makers rarely outdo their parents – Ziggy Marley, Natalie Cole, Inhaler’s Elijah Hewson – but Trevor Church might have his old man beat. Alongside Ronnie Montrose, Sammy Hagar, (uncle) Denny Carmassi, and Bill “The Electric” Church, Seventies rockers Montrose set the template for Van Halen: superstar guitarist, producer Ted Templeman, Warner Bros. Records. Trevor’s Cali valley quartet Haunt rides galloping NWOBHM (New Wave of British Heavy Metal) on March’s Dreamers, which joins 18 releases since 2018: singles, EPs, splits, full-lengths. Covering Real Life’s “Send Me an Angel,” its nervy metallurgy opens the accompanying tour in Austin with decade-plus Louisville, Ky., occultists Savage Master, led by dark mistress Stacey Savage. – Raoul Hernandez

If L.C. Franke seems anachronistic in sound, consider that in a world spinning out of control, maybe the anchor of a smooth croon and earnest angst is precisely what we need. For Jeff Klein, the musical reinvention from the dark rock of My Jerusalem into the easy listening, string-strafed Sinatra pop of L.C. Franke provides a salve of nostalgia mixed for modern anxiety, a balm between Scott Walker and Richard Hawley. Franke goes in-store at Waterloo Records ahead of the Sunday release show at the State Theatre for his immaculately suave debut album, Still in Bloom. – Doug Freeman

One of the best places to view up-and-coming artists is actually on the walls of local coffee shops, if you’re able to look up from the laptop. Luckily, Civil Goat Coffee on Guadalupe is actively highlighting its wall art, from 6-9 on Friday as it holds an art raffle complete with beer and wine. Kicking off a residency at Civil Goat, Quarters is a new organization curating group show pop-ups at different participating spaces “designed to bridge the gap between resources,” they write on the flier. “We offer residencies and local partnering businesses and public spaces, providing artists the opportunity to showcase and list their work. Think of us as a pop-up gallery!” This opening highlights local artists Danielle Iemola-Devereux, ZARA, and Tegan Milan. – Lina Fisher

Timed to the release of new documentary Made in England: The Films of Powell and Pressburger, AFS Cinema revisits three of the duo’s very best. They’re all consumed with crazy, in their own bewitching ways: 1948’s The Red Shoes, about a ballerina torn between art and love; 1947’s Black Narcissus, about a sect of nuns in Nepal going a little mad (from the isolation? the altitude? their suppressed sexual urges?); and 1945’s perfectly wonderful romance I Know Where I’m Going!, about a pragmatic woman in danger of derailing her best laid plans when bad weather puts her in the path of a charming naval officer. Catch one or all of ’em – you can’t go wrong. – Kimberley Jones

The organizers at the Cathedral ATX implore you to “fly again” with the fourth iteration of their Night Birds ballet experience. Described as “an avian-themed, 360-degree performance featuring nine dancers, three cellists, and vibrant art from the atxGALS collective,” Night Birds allows the freaky and fanciful of Austin to fully immerse themselves, becoming one with the birds with themed cocktails and bites. A pleasant surprise for the event, this year includes two children’s interactive matinee performances – giving kids fantastical visions before being tucked in for the night – as well as a youth art show, featuring select works from kids under 18. – Cy White