Pauline & Paulette

Pauline & Paulette

2001, PG, 78 min. Directed by Lieven Debrauwer. Starring Camilia Blereau, Julienne De Bruyn, Idwig Stephane, Rosemarie Bergmans, Ann Petersen, Dora Van Der Groen.

REVIEWED By Marjorie Baumgarten, Fri., April 26, 2002

This 78-minute-long Belgian drama seems at first like a slight confection. By the time the movie is through, however, you realize that the simplicity of the story and its characters have taken root in your mental landscape and will assume a lingering presence. Pauline & Paulette tells the story of four elderly sisters. Pauline (van der Groen) is mentally handicapped and lives in provincial Belgium with her sister Martha (De Bruyn), who caters to Pauline's needs and expects little from her in return. Pauline derives extreme delight from flowers and has a particular attraction to her sister Paulette (Petersen), a colorful woman who runs a fabric store in town and wraps up her patrons' packages with bright paper adorned with vibrant red roses. Paulette has little patience with her sister and usually shoos her away from her store and customers. Problems arise when sister Martha dies suddenly and stipulates in her will that all her worldly possessions should be split evenly among her three remaining sisters provided that one of them takes in Pauline and cares for her. However, neither Paulette nor her younger sister Cecile (Bergmans), who lives in Brussels with her French boyfriend, want to take in their simple-minded sister. Both agree that Pauline should be institutionalized. But, gradually, subtle things occur that make Paulette realize that no one will ever love you like your sisters do. Pauline & Paulette unites for the first time on film two of Belgium's leading actresses – van der Groen and Petersen – and they shape extremely vivid characters with the slightest of ingredients. Writer-director Debrauwer makes his feature-length filmmaking debut here, and while his work is seductively simple it must be said that Pauline & Paulette seems structurally more akin to a film short – the format in which Debrauwer has worked up until now. Pauline & Paulette at times dances dangerously close to that unfortunate modern narrative affectation that has mentally handicapped, physically disabled, or mortally ill characters teach otherwise healthy characters the “real truth” about life and its purpose. Yet, the movie's instincts are so succinct and unforced that you trust that its characters have all reached their moments of truth in their own stead. Pauline & Paulette is a small-scale pleasure, a movie that truly stops and smells the roses.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More by Marjorie Baumgarten
SXSW Film Review: The Greatest Hits
SXSW Film Review: The Greatest Hits
Love means never having to flip to the B side

March 16, 2024

SXSW Film Review: The Uninvited
SXSW Film Review: The Uninvited
A Hollywood garden party unearths certain truths

March 12, 2024

KEYWORDS FOR THIS FILM

Pauline & Paulette, Lieven Debrauwer, Camilia Blereau, Julienne De Bruyn, Idwig Stephane, Rosemarie Bergmans, Ann Petersen, Dora Van Der Groen

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle