Home Events Arts Visual Arts

Keith Sonnier’s videowork from 1973 is the latest to get the big-screen treatment in this ongoing series from your friends at UT's Landmarks program.

The willful self-destruction of humanity by Earth’s most formidable species – humans – is the topic of New Orleans-born and Dallas-raised photographer Tia Boyd. Through a series of portraits, Boyd reveals "a surviving race of godlike women warriors who have come to terraform the planet for future inhabitants." And here's our full review of the show.

The Visual Arts League of Shalom Austin JCC presents four artists whose works display different techniques of abstraction: Patti Troth Black, Diane Sandlin, Jane Fier, and Ashley Mayel.

The Brazilian artist Lucas Simões "thinks of his new works as drawings, even though they carry no graphite and have some dimensionality. He draws with an industrial laser, cutting angular or curved shapes into blackened steel plates, essentially turning them into elaborate paperclips that pinch, pull, and compress his trademark stacks of tracing paper." It's like … a little metal shibari for sheets of pulp? Ingenious, to be sure, and visually intriguing.

From griffins and giants to demons and dragons, monsters have enthralled people throughout time. In medieval art and literature, these fanciful creatures give form to fears, curiosities, and fantasies of the unfamiliar and the unknown. This new exhibition, organized by the Morgan Library & Museum in New York, presents a lively array of monsters that appear in more than 50 illuminated manuscripts from the European Middle Ages and the Renaissance. Each of the three sections of the exhibition – "Terrors, Aliens, and Wonders" – will explore the ways monsters functioned as the embodiment of power, the representation of marginalized groups in society, or the inspiration for awe.

This installation presents new work that expands Lily Cox-Richard’s research into the contextual history of materials, making visible unseen systems that dictate materials’ production, value, and use, and engages larger questions of natural resources, labor, the specifics of place, and the politics of viewership.

The complex relationship between contemporary art and anthropology shapes the subject of "The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn," an 11-artist exhibition representing a wide range of media – including painting, sculpture, photography, video, and performance. And here's our own Robert Faires with a full review of the show.

This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?

Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.

In this solo show, the Austin-based artist has manipulated wire into subtle shapes alluding to the human figure, his works seeming to dance between two and three dimensions as they cast their complex shadows, further complicating as well as explaining their form.

Stephanie Concepcion Ramirez and Betelhem Makonnen explore immigration and transnational identity, political repression, and the impact of silence in family narratives.