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The artist David Ellis, captured on camera while working on his Animal at UT's Visual Arts Center in 2010, gets the big screen treatment here, and you can watch: Videos are accessible to all and free to view.

Come see access TV the way it was meant to be viewed! Multiple vintage television sets will be set up, with each set playing its own themed loop of footage from the Austin History Center's Public Access Community Television Records and Video Collection. Featured highlights include the music scene, local activism, LGBTQ issues, and "Old Austin." Bonus: Newly designed posters for "When We Were Live" by Austin artists Matthew Stavrowsky and JP Pfertner will be available for purchase.

Meanwhile, when he's not at Atelier 1205 … this is San Juan's last open studio at his current space – he's outta there for good in October – with his entire inventory of paintings on display (with many for sale), including pieces from his series in "Likesness" at Northern-Southern Gallery, his tubing selfie paintings from 2018, commissioned portraits in progress, and more.

Yes, it's a ways up there, isn't it? Georgetown? But, tell you what, it's totally worth the drive to see these intricate, peculiar, gorgeous works of ceramics created by Jennifer Hill. It's a series in which the adept artist explores the visual relationships between land-based flora and marine life, and witnessing it is the next best thing to scuba diving around Cozumel with the ghost of H.P. Lovecraft.

In which the MASS gallery space is transformed into a working studio, giving selected artists in this seventh annual, five-week residency program the opportunity to explore new ideas or practices and engage with the Austin community. And this year's artists are Andie Flores and Cynthia Muñoz (working together as Payasa) and Zoe Berg.

Here's an exhibition – adventurous, fantastic, and let's not forget fun – by 57 Texas-based artists, featuring a diversity of styles and mediums.

This new show highlights new developments in Jeffrey Gibson’s genre-bridging practice, with 50 works made between 2014 and 2018 – including intricately beaded wall-hangings and punching bags, paintings, ceramics, garments, helmets, and a new video commissioned for this exhibition.

You know that the globetrotting instigators of Austin's Camiba Art offer cultural tours all around the world, right? Now here's the third annual exhibition of art by artists visited during the most recent series of travels, representing more than 25 artists from four countries and nine regions therein. Featuring new works from Cuba, Mexico, Guatemala, and Peru.

The willful self-destruction of humanity by Earth’s most formidable species – humans – is the topic of New Orleans-born and Dallas-raised photographer Tia Boyd. Through a series of portraits, Boyd reveals "a surviving race of godlike women warriors who have come to terraform the planet for future inhabitants." And here's our full review of the show.

This is an exhibition by Adrian Armstrong, exploring the topic of mental health in African-American culture, encompassing the artist's personal struggles and a discussion about why mental health is often a taboo topic in the culture he was raised in. Note: Visitors are encouraged to bring an internet-capable device and headphones to listen to the musical components of the show; free Wi-Fi is available on-site.

Yippee ki yay, space cadet, it's time to head 'em off at the Pass Nebula as the State History Museum presents an exhibition that spans more than 150 years of Western and science fiction history and features 100-plus artifacts (including props from Star Trek, Star Wars, Firefly, and other skiffy media fare). And our arch-geek himself, the estimable Richard Whittaker, also a part-time Sith Lord, reviews the show for you here.

This is one extensive group exhibit focused on repetition and daily practice, for which each of the participating artists has created a new work or carefully chosen a work from the past. And we mean, these are some of the most fascinating artists who ever breathed our city's air – Steve Brudniak, Malou Flato, Denise M. Fulton, Jan Heaton, David Leonard, Randall Reid, Caprice Pierucci, John Sager, Chun Hui Pak, and many more. So, even if visiting galleries isn't part of your, ah, daily practice, you'll be well rewarded by checking out Davis Gallery's array of visual creations.

This new exhibition by ceramicist Tammie Rubin cites Langston Hughes’ 1926 poem, "I, Too," a work that itself references Walt Whitman’s "I Sing the Body Electric." Here Rubin turns the gallery into an immersive installation of rock formations, mesas, mountains, and hills, as carved from construction foam and enveloped in resin, juxtaposing the majestic grandeur of the varied American landscape with how those same inspired ideas of vastness and expansion often fall short for its citizens. Recommended.

This is a solo exhibition by Leslie Kell, about whose digitally manipulated photography we've fairly raved, because she does it so well and frequently handcrafts and embellishes the frames she displays it in. For this show, in addition to her typical graphic deconstructions of nature and so on, Kell's created at least one work using images of the Ney's own sculptural inventory. It's never a poor idea to visit this Hyde Park gem of a venue, and right now it's an even better idea than usual.

This new installation from the local arts collective explores light-play and sensory experiences using the basic elements of the universe.

This new group exhibition at grayDUCK features a wide range of new work by eight artists – Veronica Ceci, Madeline Irvine, Paloma Mayorga, Virginia Lee Montgomery, Michael Jay Muelhaupt, Manik Raj Nakra, Matthew Steinke and Jenn Wilson – who participated in the Contemporary Austin's Crit Group, an eight-month-long program supporting artistic growth through monthly critiques and professional development workshops.

New work by Amy Bench and Jenn Wilson explores how narratives are structured: always appearing to move forward, yet occasionally twisting and bending, obscuring parts of the story. Filmmaker Bench addresses the often contradictory feelings associated with childbirth and early motherhood; painter Wilson invokes narrative via weaving stills from bygone television flops, found photography, memories, comic panels, and images from Song dynasty scrolls.

This 24th annual exhibition is, as ever, dedicated to the professional development of emerging Latina/o/x artists and curators, with Tatiane Santa Rosa bringing together the works of eleven Latina/o/x artists defining Buen Vivir.

Objects as feelings? Sunbeams from broken devices, breezes through screen doors – an August frisson, thrilling this intimate Eastside space with a group show by Sev Coursen, Michael Hambouz, Christine Heindl, Candace Hicks, Amanda Julia Steinback, Phillip Niemeyer, and James Turner.

Photography is front and center (and all around) for this FOTO ATX show, with gorgeous images from Claire Porter, Pete Holland, Cheri Lomonte, and Steve Snyder.

That excellent Austin gallery, gone missing since the old Flatbed World HQ closed months ago? It's popping up at MOHA with a new show about "nude, as a color, as its cultural perception finally shifts away from the upsetting pinky Band-aid and crayon-box infamy." Curated by Holly Bobisuthi (who is, did you know, the most exciting jewelry maker in this city if not the entire goddam state) and featuring diverse work by artists from all over the country (and Spain), this is an exhibition sure to open wide in delight any previously jaded eyes.

This exhibit showcases the work of Martha Grenon, one of Austin's premier music photographers, her images capturing the excitement of bands performing in Austin since the early Eighties.

This installation presents new work that expands Lily Cox-Richard’s research into the contextual history of materials, making visible unseen systems that dictate materials’ production, value, and use, and engages larger questions of natural resources, labor, the specifics of place, and the politics of viewership.

This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?

You know the Workman Gallery loves this Los Angeles-based painter whose work is inspired by form and figure as depicted by the Impressionists and Modernists of the early 20th century, right? Thus, this seventh solo exhibition at the excellent Westside venue.

Each of Shana Hoehn's large sculptures consists of two women, either as a double or camouflaged in one form through double imagery, inspired by the sexualized female archetypes sourced from ship figureheads, hood ornaments, carnival portraiture, pinups painted on WWII aircraft, and horror films. Note: The Chronicle's Robert Faires recently paid a visit to the gallery, and this is his response to the show.

Bruce Lee Webb of Waxahachie, Texas, is a folk art gallerist and an antique dealer and in his travels he collects vintage cotton sacks and journal paper on which he then paints and draws. That's putting it mildly. That's without saying, "Whoa, damn, don't miss this terrific show at Randy Franklin's excellent gallery there on South Congress." Need we remind you, it was Webb's collection that was responsible for the most amazing show in the too-brief history of the gallery of Domy Books back in the day? Recommended, recommended, recommended.