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Right there in the Eastciders Collaboratory on Springdale, it's an evening of (you might have guessed) comedians interviewing musicians, with host BeckiJo Neill and local comic Kim Stacy putting the Q&A to singer-songwriter John Wilhelm this week. And you know that Wilhelm's gonna play some tunes, too.

The king returns, as we like to say, as Roi James presents this new solo show of recent paintings that encompass several different bodies of work, including variations of his abstract oils, his Construct series, and his Floral array of wonders.

The 27th annual theatrical smorgasbord of local productions (comedy! drama! dance! improv! performance art! multimedia! diverse shenanigans!) continues with its slate of five 25-minute-long Short Fringe shows each night at Hyde Park Theatre (through Feb. 15), with the usually sold-out Best of the Week show each Saturday night. Coming up:Science Fails: The Human Side of Science by Nichole Bennett; Flashmandments by CB Goodman; Flawed by Sandy Maranto; How To Say You’re Afraid of Commitment in 140 Characters Or Less by Valerie Nies; and Who Sits Next to Wilma by Janna Garza; Thu., Jan. 23, 8pm.A Child’s Guide to Schopenhauer by Marla Porter; Battle by Cry Havoc Action Choreography; Choice by Addy Lugo, Gloria C. Adams, and Teresa Johnson; Me-usical: The Musical by Ragan Fox; and Purdy Mischief's Playtime by Lindsey Greer Sikes; Fri., Jan. 24, 8pm.At Death We Know Everything by The United Güey(s); Dueling Playwrights: Battle of the Bathroom by Marianne Serene & James E. Burnside; Miss Winnie by Marla Porter; Mom’s First Job (And What Not To Talk About At The Dinner Table) by Rhonda Roe; and Persnickety by Alex Garza; Tue., Jan. 28, 8pm.Airbnb by Heather Thiel; An Evening, and Possible Morning, with Carl Sagan by Pete Parsons; Bad Neighbors by Ava Love Hanna; Fidelity by Raymond V. Whelan; and The Heart and How It Heals by Helyn Rain Messenger; Wed., Jan. 29, 8pm.All Aglow by Christine Darling; Thing with Feathers by Kylah Torre; A Character Challenge by Lee Eddy; This Show Will Go On by Brian Bonnet, Thaddeus Grant Fenton, and Olivia Wise; and What a World by Laura Freeman and Kris Frederiksen; Thu., Jan. 30, 8pm.+caraway+ by Cris Edwards; Still Life by Matt Sandbank; Ma & Pa Gothic Save Texas! by Tom Booker & Janet Maykus; Side B by Daniel Berkowitz; and Thumb War by Kathryn Sterling; Fri., Jan. 31, 8pm.1.5 Korean by Pamela Paek and Arthur Stanley Chong; Enlightened by Tristan Young Mercado; Our Good Friend by Sabeen Noorani and Trinity Joan Adams; What Water is There for Us to Clean Ourselves by James E. Burnside; and Words Fail Me by Hank Schwemmer; Tue., Feb. 4, 8pm.Bad Thoughts by Aransas Haley; I'm Still Leaving by Molly Fonseca and Anikka Lekven; Please Do Not Touch the Art by Sally Seitz; H.P. Lovecraft's Sweet Ermengarde, or The Heart Of A Country Girl by Percy Simple; and Unconditional Therapy by Sandy Maranto; Wed., Feb. 5, 8pm.How To Belong by Maggie Gallant; Paramount Story Wranglers by 3rd Graders; Sunday Slugg'rz by Max Langert; When You … by Chuy Zarate; and Whippet Good by Jo DePrang;Thu., Feb. 6, 8pm.Note: FronteraFest is a unique collaboration between two of Austin’s most venerable arts organizations – that aforementioned Hyde Park Theatre (an award-winning professional company in central Austin) and ScriptWorks (a playwright development and service organization with members in Texas and across the nation).

The Brazilian artist Lucas Simões "thinks of his new works as drawings, even though they carry no graphite and have some dimensionality. He draws with an industrial laser, cutting angular or curved shapes into blackened steel plates, essentially turning them into elaborate paperclips that pinch, pull, and compress his trademark stacks of tracing paper." It's like … a little metal shibari for sheets of pulp? Ingenious, to be sure, and visually intriguing.

Well, somebody learned to work the saxophone, alright: Kyle Blake Jones, who leads a chamber ensemble of flute, clarinet, oboe, saxophone, bassoon, and horn. So, they'll play, and so will the foursome of UT-based saxophonists known as the Inan Quartet.

The 2020 Texas Biennial Open Call is open to artists currently living and/or working in Texas, to Texas natives/expats working anywhere in the world, and to artists who have produced significant work in Texas over the last three years. Applications accepted online through Feb. 7. See website for details, yes.

This seminar is structured with artists in mind and designed to walk you through your tax return, addressing common artist concerns, and important IRS regulations pertaining to creative practices. Learn about business vs. hobby rules, self-employment tax, tracking income and expenses, determining which expenses are deductible, and what’s needed to prepare your taxes.

Each of the artist's narrative lithographs contains dozens of her unique symbols – flames, needle and thread, logs, prickly pear pads, helicopter seeds, tattoos, and spilled milk – expressing a visual language for the Southern female experience, a voice of beauty and strength that reminds us of how far we've come and how far we have yet to go.

In meticulous paintings and watercolors of leaves, of rain, of mud, of other objects in the natural world, Mihee Nahm seeks to capture the ephemeral in all its transience.