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This, in case you somehow didn't know (and please accept our sincere congratulations on finally waking up from that years-long coma, yo, it's good to have you back), is Lin-Manuel Miranda's hip-hop musical about America's Founding Father Alexander Hamilton. Brought to town by the good people of Broadway in Austin, it's a phenomenon that's worthy of its endless hype, and they say tickets are possibly still available if you were born on a full moon, the wind is coming in from the northeast, and the Westlake sibyl dances a clockwise tarantella during consultation. Or, better: See the website right here for the show's two-days-before ticket lottery.

During 2018, Medearis – known to millions as The Kitchen Diva – donated several books, manuscripts, photographs, awards, and research papers to the Carver Museum. Now, they’ve been curated and presented as this new exhibition.

This figurative expressionist explores emotional and spiritual concepts through female portraiture, her charcoal sketches emphasizing the hands, faces, and feet of her subjects, which are further imbued with bright acrylic color and pattern.

Witness here an array of life-sized and larger works recently created by Meena Matocha, the artist having wielded charcoal, ashes, soil, acrylics, and wax to create paintings that "combine abstraction and figuration, exploring the space between grief and joy, the place where heaven and earth converge."

Susan Scafati's solo exhibition spans three floors and features work (photoprints, sculpture, hand-embellished documents) that expands on the artist's exploration of the ways in which individual identities and mythologies are constructed. And, ah, we love what that Calder Kamin does, and the library's also got a new showcase of her work, "What a Mess," featuring trash transformed into sculptures, animations, and installations, commenting on the mess humans have made for our natural neighbors throughout our existence.

The devolution of the Austin sky. Texas caves reimagined as intergalactic landscapes. The peculiar yet familiar renderings of Southern life. Behold, as artists Mae Crocker, Renee Victor, and Heidi Pitre celebrate the beauty and quirks of this land we call home.

Founding members of the Austin-based Black Mountain Project – Adrian Aguilera, Betelhem Makonnen, and Tammie Rubin – debut a new body of work in sculpture, photography, text, and video. Also on display at the Carver: "Re-Membering Is the Responsibility of the Living," an installation by Taja Lindley.

What does Dana Robinson use to create her monoprints? Images that circulated in printed advertisements, images from which she's removed traces of exploitative white-dominated capitalist visual language to allow the individuals pictured to regain their agency in the world. Images from vintage Ebony magazine ads, in this show.

This new show features works by Annie Darling and David Elliott, the paintings and sculpture on display here offering each artist's own vision – always colorful, sometimes dazzling – of our quickly expanding and changing city.

Here's a new and detailed look at the history of the Arts and Crafts movement in Britain and America, showing how it transformed the homes and lives of ordinary people and how it continues to influence modern design.

This is the first Reynolds Gallery show for both of these artists, and we were all like, "Hey, Natalie Frank! With a Grimm exhibition just in time for Ballet Austin's Grimm Tales based on her fantastic works!" and we barely even made note of Mr. Marsh's part of this two-person display … until we saw some stunning images showing the gorgeous and fairly chthonic "Cauldrons and Crucibles" work the man does with ceramics small and large – and then we made damned good and sure our schedule was clear for an even longer visit to this excellent Downtown venue.

Fused glass and vibrant two-dimensional art is the focus of this show, with artists Cynthia Simpson, Pamela Sanchez, and Michael Skiffington.

The bestselling author presents her new novel about a girl who reconnects with a part of her family she hasn’t known since she was a little girl – and falls in love.

Here's an original exhibition featuring aerial images captured by photographer Jay B. Sauceda during a six-day flying journey around the state. This show highlights the beauty of Texas borderlands and explores the process of capturing the images.

This new solo exhibition of two-dimensional and sculptural works by Brooklyn native Kambui Olujimi, now on view in the Blanton's Contemporary Project gallery, will revitalize your awareness of what's coordinated and universal. And, listen, the Blanton now stays open until 8pm on Fridays – through July 26.

This exhibition, a Holly Borham-curated collection focused on printmaking in the Renaissance, presents works that showcase the various intentions behind copies, ranging from legit collaborations between designers and printmakers to the unauthorized copies of Albrecht Dürer’s woodcuts (these resulted in a landmark legal decision against image piracy). And, listen, the Blanton now stays open until 8pm on Fridays – through July 26.

Abraham Cruzvillegas’ vibrant artistic practice begins with the concept of autoconstrucción, an idea rooted in transformation, exchange, and play. During the exhibition, a series of site-specific sculptures will be enlivened through music, performances, workshops, cooking, storytelling, artmaking, skateboarding, and more, in activations led by the artist’s collaborators from Mexico City and community partners from Austin. See our feature article for more.

Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.

This is a curated collection of works from artists Kathy Buist, Katherine Houston, and Jaime Kirkland.

If you're standing at the crossroads of wood and sculpture, one of the talented giants you'll see landmarking that intersection is James Surls. If you're at the Umlauf Sculpture Garden and Museum for this new show, you'll be amazed by more than 30 of that maestro's works – his iconic, surrealistic wooden creations as well as a few of his giant steel and bronze structures. Note: This is, surprisingly, Surls' first solo exhibition of sculptures in Austin.

This is the WWG's sixth solo show with local figurative painter Patrick Puckett, the artist's larger-than-life canvases deploying the color red to lend his singular figures an undeniable presence.

Rosa Nussbaum’s new exhibition is informed by her recent years in Texas. Unable to drive and finding herself as a passenger in a car, the artist reflects upon how public space in Texas is often imagined as a place for mobile private space, structuring her show as a kind of theme park – using sculpture, performance, video, and a slideshow to explore how the car becomes a lens that focuses and reshapes the world around her.